{"id":8997,"date":"2024-08-09T12:30:17","date_gmt":"2024-08-09T09:30:17","guid":{"rendered":"https:\/\/pelestest.thepoint-agency.com\/expozitia-frumusetile-epocii-meiji-in-arta-ukiyo-e\/"},"modified":"2024-12-19T13:52:26","modified_gmt":"2024-12-19T11:52:26","slug":"expozitia-frumusetile-epocii-meiji-in-arta-ukiyo-e","status":"publish","type":"eveniment","link":"https:\/\/thewebdevpoint.com\/en\/eveniment\/expozitia-frumusetile-epocii-meiji-in-arta-ukiyo-e\/","title":{"rendered":"Exhibition &quot;The Beauties of the Meiji Era in Ukiyo-E Art&quot;"},"content":{"rendered":"<p class=\"s4\"><span class=\"s2\"><span class=\"bumpedFont15\">exhibition <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">,,<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">The Beauties of the Meiji Era in Ukiyo-E Art<\/span><\/span><span class=\"s3\"><span class=\"bumpedFont15\">&quot;<br \/>\n<\/span><\/span>George \u0218erban Collection<\/p>\n<p class=\"s4\"><span class=\"s2\"><span class=\"bumpedFont15\">Pele\u0219 National Museum, Peli\u0219or Castle<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">, <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">rail<br \/>\n<\/span><\/span>Opening: August 9, 2024, 12:30 p.m.<\/p>\n<p class=\"s4\"><span class=\"s2\"><span class=\"bumpedFont15\">Curator: Dr. Alexandru Constantin Chitu\u021b\u0103<br \/>\n<\/span><\/span>Guest: Laura Caraman<\/p>\n<p class=\"s4\"><span class=\"s2\"><span class=\"bumpedFont15\">Exhibition organized by the Pele\u0219 National Museum, National Museum B<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">R<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">ukenthal with the support of \u0218erban \u0219i Asocia\u021bii, a civil law society in partnership with the Embassy of Japan in Romania.<\/span><\/span><\/p>\n<p class=\"s4\"><span class=\"s2\"><span class=\"bumpedFont15\">The word ukiyo originally expressed the Buddhist idea of the transient nature of life. This rather pessimistic notion was overturned during the period<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\"> Edo. The character that means <\/span><\/span><span class=\"s3\"><span class=\"bumpedFont15\">to float<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\"> was replaced by the homonym which means<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">Um <\/span><\/span><span class=\"s3\"><span class=\"bumpedFont15\">evanescent<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\"> to express an attitude of <\/span><\/span><span class=\"s3\"><span class=\"bumpedFont15\">joy of life<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">This culture hed<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">honest man who glorifies life in <\/span><\/span><span class=\"s3\"><span class=\"bumpedFont15\">floating world<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\"> was particularly well expressed in the production of woodblock prints, which made captivating images of seductive courtesans, exciting kabuki actors, and famous romantic landscapes available to anyone with a little extra money. For the first time, artists were inspired and responded to the interests and preferences of the general public. Ukiyo-e represents the final phase in the long evolution of Japanese genre painting. Building on earlier developments that had focused on human figures, ukiyo-e painters focused on pleasant activities in landscapes, depicted up close, with particular attention to contemporary business and fashion. As artists chose subjects increasingly involved in the pleasures of urban life, their interest turned to indoor activities. The most popular subjects for painting in the early 17th century were scenes of revelry in pleasure houses, especially in the famous Yoshiwara district of Edo. <\/span><\/span><\/p>\n<p class=\"s4\"><span class=\"s2\"><span class=\"bumpedFont15\">The Edo period (1603-1868) ends with the resignation of the last shogun, Yoshinobu Tokugawa, in 1868, and the 16-year-old Emperor Mutsuhito, later known as Meiji, now returns to the political leadership of Japan, after a long period in which he played a secondary, more honorary and religious role. Emperor Meiji moved his permanent residence from Kyoto to Edo, <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">which was renamed Toyko. <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">The political and social reforms of the Meiji era have <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">were radical and have <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">of<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">come quickly a <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">true<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\"> revolution, to be<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">The Meiji Constitution is introduced. <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">IMPA<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">the rat was declared sacred and inviolable<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">At <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">END<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">19th century, the signs <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">modernization<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\"> Japan, <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">after<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\"> Western models were seen everywhere, such as: the formation of a national army, industrialization, transport and communications (appear <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">S<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\"> railways, trams), telegraph lines, street lighting of factories and <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">buildings<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\"> public, and most Japanese have their <\/span><\/span><a name=\"_GoBack\"><\/a><span class=\"s2\"><span class=\"bumpedFont15\">changed their attire, moving from the traditional kimono to Western clothing. For ukiyo-e artists and publishers of that period<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">Um<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">, the country&#039;s transition allowed them to<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">Um<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\"> use the new colors made from <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">dyes<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\"> of aniline<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">Um<\/span><\/span> <span class=\"s2\"><span class=\"bumpedFont15\">AND<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">and <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">pigments<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\"> which were <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">important<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">from Germany <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">AND<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">and others <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">your<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">countries <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">AND<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">and created new genres of woodcuts. Images of strange aliens and their technical achievements became popular, <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">AND<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">Prints were made showing the transformations of the new era \u2013 spectacular new stone buildings, steam engines, locomotives, steel bridges and trams on the streets of Tokyo. <\/span><\/span><\/p>\n<p class=\"s5\"><span class=\"s2\"><span class=\"bumpedFont15\">The Meiji Emperor and his family began to be portrayed (including for propaganda purposes) by Japanese artists in various official and family poses. They were now dressed in Western costumes and were captured participating in various official activities, exhibitions, or relaxing in nature, accompanied by their female entourage.<\/span><\/span><\/p>\n<p class=\"s6\"><span class=\"s2\"><span class=\"bumpedFont15\">The exhibition brings to the public<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\"> the most important Japanese artists who lived in the Meiji Era and who made Japanese woodblock prints<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">is with beautiful women, courtesans and <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">geisha<\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">: <\/span><\/span><span class=\"s2\"><span class=\"bumpedFont15\">Toyohara KUNICHIKA (1835-1900), Utagawa KUNISADA III (1848-1920), Toyohara CHIKANOBU (1838-1912), Tsukioka YOSHITOSHI (1839-1892), Adachi GINKO (active 1874-1902), Ogata GEKKO (1859-1920), Mizuno TOSHIKATA (1866-1908), Utagawa TOYONOBU (1859-1886), Utagawa YOSHIIKU (1833-1904), Utagawa YOSHITAKI (1841-1899), Goyo Hashiguchi (1888-1921), Watanabe NOBUKAZU (1872-1944) and others.<\/span><\/span><\/p>","protected":false},"featured_media":13812,"template":"","meta":{"_acf_changed":false},"categorie-evenimente":[332],"class_list":["post-8997","eveniment","type-eveniment","status-publish","has-post-thumbnail","hentry","categorie-evenimente-expozitii-temporare"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Expozi\u021bia ,,Frumuse\u021bile Epocii Meiji \u00een arta Ukiyo-E\u201d &#183; 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