{"id":8717,"date":"2024-10-08T11:59:11","date_gmt":"2024-10-08T11:59:11","guid":{"rendered":"https:\/\/pelestest.thepoint-agency.com\/muza-paradisiaca\/"},"modified":"2024-10-08T11:59:11","modified_gmt":"2024-10-08T11:59:11","slug":"muza-paradisiaca","status":"publish","type":"post","link":"https:\/\/thewebdevpoint.com\/en\/patrimoniu\/muza-paradisiaca\/8717\/","title":{"rendered":"The Paradisiac Muse"},"content":{"rendered":"

[stag_toggle style=\u201dnormal\u201d title=\u201dPiece details\u201d state=\u201dclosed\u201d]\u201cPARADISE MUSE\u201d vase
Emil Gall\u00e9
1895
Colored, blown, layered, rip-striped glass; mineral intercalations[\/stag_toggle]<\/p>\n

The personality of Emile Gall\u00e9 (1846 \u2013 1904) dominates the history of glass art, not only from 1880 until the creator\u2019s death in 1904, but also long after that, until the closure of the workshops that bore his name in 1936. With an artistic, technical and even scientific training, from internships in various European glassworks, such as that of Meisenthal, Emile Gall\u00e9 is a complete artist, fully in control of his means. Founder of the \u201cSchool of Nancy\u201d and creator of the Art Nouveau style, Emile Gall\u00e9 left behind a prodigious body of work, including enameled or cameo-painted vases, his famous \u201ctalking glassworks\u201d, lamps, but also detailed descriptions of the complex techniques that he applied and perfected. Numerous distinctions, national or international, rewarded the creation of this brilliant pioneer.<\/p>\n

The sources of inspiration are flowers, insects and minerals. The artist carefully studied the former, carefully reproducing their graceful petals, stems and winding tendrils. The insects \u2013 dragonflies, beetles, multicolored butterflies \u2013 are incorporated into the vitreous mass of the vessels. Minerals such as azurite or malachite are added to the viscous mass of molten glass to give, by their arrangement in different layers and through the diversity of color, an unparalleled decorative richness.<\/p>\n

The industrial production started by Gall\u00e9 in 1884 aims to make art accessible to people with modest incomes, thanks to the decrease in the prices of execution. Gall\u00e9 designs simplified but very beautiful models, with vivid colors, through which he aims to avoid "falsehood and bizarreness". The industrial pieces are blown in a mold, in several layers of different colors and etched by acid attack, in successive stages, which gives them semi-relief and depth of decoration. By resuming the engraving on the wheel, the refinement and precision of the details are achieved.<\/p>\n

The industrial production of the Gall\u00e9 workshops was carried out under the direction of the artist until his death in 1904, then under that of his wife, until 1914. During the period 1904 \u2013 1914, the pieces made were of good quality and perpetuated a large number of models made by Gall\u00e9. Madame Gall\u00e9 added a star to the master's signature, which allowed for the removal of ambiguity and the dating of the pieces. After the First World War, Gall\u00e9's son-in-law, Perdrizet, resumed the business, which was liquidated in 1936, with the closure of the workshops.<\/p>\n

An exceptionally valuable Gall\u00e9 piece owned by the Pele\u015f National Museum is the vase titled by the author "Paradisiac Mus\u00e9e". The base is circular, with a discoidal reflection, and the ovoid-elongated body is plastically treated, in purple gradients, with rips and gold-sprayed areas. Emile Gall\u00e9's technical acrobatics can be easily read on this unique piece. The artist applied several cycles of decoration, alternating with reheating, immersion in molten glass, followed by repeated blowing and modeling. The mineral inclusions interspersed between the layers of glass and the varied color, sometimes intense, sometimes delicate, create interesting optical effects. At the base of the body, the mention "Gall\u00e9 fecit 1895" is engraved, and on the reverse of the meringue, the monogram "EG" with a Lorraine cross and the title of the piece: Paradisiac Mus\u00e9e.<\/p>\n

\"Inscriptia<\/div>\n

Cornelia Dumitrescu, curator<\/small><\/h4>","protected":false},"excerpt":{"rendered":"

[stag_toggle style=\u201dnormal\u201d title=\u201dPiece details\u201d state=\u201dclosed\u201d]Vase \u201cTHE PARADISE MUSE\u201dEmil Gall\u00e91895Colored, blown, layered, rip-striped glass; mineral intercalations[\/stag_toggle] The personality of Emile Gall\u00e9 (1846 \u2013 1904) dominates the history of glassmaking art, not only from 1880 until the creator\u2019s death in 1904, but also long after that, until the closure of the workshops that bore his name in 1936. With an artistic background, [\u2026]<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[259,265],"tags":[167],"class_list":["post-8717","post","type-post","status-publish","format-standard","hentry","category-patrimoniu","category-sticlarie","tag-colectia-de-sticlarieemil-galle"],"acf":[],"yoast_head":"\nMuza Paradisiac\u0103 · Peles Test<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<script type=\"application\/ld+json\" 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