La collection de verre du Mus\u00e9e national de Pele\u015f, riche de plus de 1\u00a0500 pi\u00e8ces, s'est constitu\u00e9e en deux grandes \u00e9tapes, \u00e9troitement li\u00e9es \u00e0 l'histoire du ch\u00e2teau auquel elle \u00e9tait destin\u00e9e. Une premi\u00e8re \u00e9tape d\u00e9cisive est celle des acquisitions et commandes de la famille royale, entre 1866 et 1941, et une seconde \u00e9tape, celle des acquisitions du Mus\u00e9e de Pele\u015f, entre 1969 et 1974.<\/p>\n
\n
![\"Lampa](\"https:\/\/pelestest.thepoint-agency.com\/wp-content\/uploads\/2016\/08\/013.-LAMPA-TIFFANY-202x300.jpg\" "\\"lampe")
<\/p>\n
Lampe "Glycine"
\nLC Tiffany, New York, \u00c9tats-Unis 1925
\nBronze, fonte, ciselure, patine ;
\nplomb, laminage; verre, type de vitrail<\/p>\n<\/div>\n
L'initiative de constituer une telle collection revient au roi Carol Ier, ses successeurs, parmi lesquels la reine Maria, se distingueront, continuant d'enrichir la pr\u00e9cieuse collection d\u00e9j\u00e0 existante.<\/p>\n
La collection comprend des pi\u00e8ces d'origine allemande, italienne, autrichienne, fran\u00e7aise ainsi que des vases en cristal de Boh\u00eame ou anglais, fabriqu\u00e9s dans la seconde moiti\u00e9 du XIXe si\u00e8cle et au d\u00e9but du XXe si\u00e8cle.<\/p>\n
Par les types de commandes et les acquisitions de nouvelles pi\u00e8ces inspir\u00e9es de mod\u00e8les d'\u00e9poque, le roi Carol Ier appartient au domaine des commissaires d'art historique. Ainsi, la s\u00e9quence allemande illustre des mod\u00e8les d\u00e9coratifs des XVIe et XVIIe si\u00e8cles, appartenant \u00e0 la Renaissance et au baroque\u00a0: une iconographie symbolique, des effigies imp\u00e9riales, des princes \u00e9lecteurs, des chevaliers, des armoiries de familles nobles allemandes.<\/p>\n
Une place importante dans la collection, non seulement en raison du grand nombre de pi\u00e8ces, mais aussi gr\u00e2ce aux produits des manufactures de Murano, acquis entre 1900 et 1920 aupr\u00e8s de la \u00ab\u00a0Compagnie de Venise et de Murano\u00a0\u00bb, dirig\u00e9e par Giulio et Amalia Salviati. Ces ateliers produisaient des pi\u00e8ces au caract\u00e8re historiciste, inspir\u00e9es d'originaux des XVIe et XVIIe si\u00e8cles, t\u00e9moignant du talent et du savoir-faire des verriers, un savoir-faire perp\u00e9tu\u00e9 de g\u00e9n\u00e9ration en g\u00e9n\u00e9ration jusqu'\u00e0 nos jours. L'identit\u00e9 des pi\u00e8ces r\u00e9side dans les qualit\u00e9s chromatiques exceptionnelles du verre transparent ou iris\u00e9, dans la gr\u00e2ce des formes et dans leur \u00e9l\u00e9gance fragile, un domaine dans lequel le savoir-faire des verriers de Murano demeure in\u00e9gal\u00e9. Le r\u00e9pertoire d\u00e9coratif de ces objets d'art n\u00e9s dans la lagune v\u00e9nitienne se compose de caravelles, d'animaux marins, de dragons, de cygnes, de serpents, de mascarons, de guirlandes florales, etc. La collection s'est \u00e9galement enrichie de produits r\u00e9alis\u00e9s dans un \u00ab style moderne \u00bb : des vases aux riches irisations, aux couleurs du scarab\u00e9e Cantarida, des perles \u00ab millefiori \u00bb et autres.<\/p>\n
Outre les pi\u00e8ces repr\u00e9sentatives, la famille royale poss\u00e9dait \u00e9galement une s\u00e9rie de pi\u00e8ces usuelles : services de table en cristal fran\u00e7ais (Baccarat, Saint Louis) finement grav\u00e9s de motifs v\u00e9g\u00e9taux ; service \u00e0 liqueur ou garniture de fleurs en cristal de Boh\u00eame, d\u00e9cor\u00e9 de sc\u00e8nes de chasse ou de motifs floraux grav\u00e9s et dor\u00e9s ; service \u00e0 boire en cristal anglais (Webb) taill\u00e9 en pointe de diamant et grav\u00e9 d'un chiffre royal surmont\u00e9 d'une couronne ferm\u00e9e.<\/p>\n
\n
![\"Cupa\"](\"https:\/\/pelestest.thepoint-agency.com\/wp-content\/uploads\/2016\/08\/003-178x300.jpg\" "\\"Tasse\\"")
<\/p>\n
Coupe d'atelier de Murano
\n4\/4 du 19e si\u00e8cle
\nVerre souffl\u00e9 color\u00e9
\net de forme libre<\/p>\n<\/div>\n
Fran\u00e7ais Un autre domaine de r\u00e9f\u00e9rence vers lequel la Famille Royale se concentre dans ses commandes est celui de l'Art 1900. Les ateliers viennois Lobmeyr, fournisseur de la Cour Imp\u00e9riale, re\u00e7oivent une commande de la Maison Royale roumaine pour un service en cristal comprenant des verres, des bols, des soucoupes, d\u00e9cor\u00e9s de sc\u00e8nes rurales peintes \u00e0 l'or collo\u00efdal, comme l'atteste une facture de 1908. Le m\u00eame domaine est \u00e9galement circonscrit par le service de toilette en cristal double couche (blanc - rubis), d\u00e9cor\u00e9 par Josef Hoffmann, ainsi que par les vases en verre aux belles irisations aux effets plastiques, travaill\u00e9s dans les ateliers Loetz' Witwe.<\/p>\n
Gr\u00e2ce \u00e0 la princesse Marie, devenue reine en 1914, la collection royale de verrerie s'enrichit de pi\u00e8ces remarquables, expressions du style Art nouveau. Marie appr\u00e9hende le ph\u00e9nom\u00e8ne de l'art de 1900 \u00e0 travers sa propre perception, celle d'artiste et de collectionneuse. Elle acquiert des \u0153uvres d'\u00c9mile Gall\u00e9 (les vases exceptionnels Muse paradisiac\u0103, Claire de lune, etc.), de Ren\u00e9 Lalique (les vases Tortues, Chamarande, les assiettes C\u00f4tes, etc.), d'Auguste et Jean-Antonin Daum (lustre, vases cam\u00e9es), de Christian D\u00e9sir\u00e9, de Jean Sala, de G. Argy-Rousseau, d'Almaric Walter et de Louis Comfort Tiffany (service \u00e0 boire en verre Favrile, lampe de bureau, etc.).<\/p>\n
La princesse d'origine britannique, fervente partisane du renouveau des traditions artisanales promu par les ateliers Arts and Crafts en Angleterre, a elle-m\u00eame cr\u00e9\u00e9 des \u0153uvres dans l'esprit Art nouveau. Parmi les autres r\u00e9alisations de la reine Mary figure un ensemble de six verres, fabriqu\u00e9s dans un atelier autrichien et peints par elle de motifs floraux, conserv\u00e9s dans la collection de verre du Mus\u00e9e national Pele\u0219.<\/p>\n
Les acquisitions et commandes de la famille royale \u00e0 l'\u00e9tranger s'accompagnaient d'une politique volontariste de promotion de l'industrie verri\u00e8re nationale. \u00c0 cet \u00e9gard, il convient de mentionner les manufactures d'Azuga et de Media\u015f, auxquelles des pi\u00e8ces furent command\u00e9es\u00a0: des services traditionnels, personnalis\u00e9s au monogramme royal, ou modernes, de style Art d\u00e9co. C'est le cas du service en verre fum\u00e9 expos\u00e9 au ch\u00e2teau de Pelisor, r\u00e9alis\u00e9 par les ateliers d'Azuga \u00e0 l'\u00e9poque o\u00f9 ils avaient pour directeur artistique Emerico Montesy, disciple des fr\u00e8res Daum et d'\u00c9mile Gall\u00e9, qui avait \u00e9tudi\u00e9 l'art du verre \u00e0 Nancy.<\/p>\n
Entre 1969 et 1974, le Mus\u00e9e Pele\u015f poursuit une politique d'acquisitions soutenues aupr\u00e8s de particuliers (de Bucarest, Bra\u015fov, R\u00e2\u015fnov), visant \u00e0 compl\u00e9ter la collection existante avec des objets en cristal de Boh\u00eame, mais surtout avec des pi\u00e8ces Gall\u00e9, Daum, Lalique.<\/p>\n
Les int\u00e9rieurs des mus\u00e9es de Pele\u015f et de Peli\u015for exposent certaines des pi\u00e8ces les plus pr\u00e9cieuses de la collection et offrent au public visiteur une rencontre avec le monde d\u00e9licat et fragile du verre d'art.<\/p>","protected":false},"excerpt":{"rendered":"
La collection de verre du Mus\u00e9e national de Pele\u015f, riche de plus de 1\u00a0500 pi\u00e8ces, s'est constitu\u00e9e en deux grandes \u00e9tapes, \u00e9troitement li\u00e9es \u00e0 l'histoire du ch\u00e2teau auquel elle \u00e9tait destin\u00e9e. Une premi\u00e8re \u00e9tape d\u00e9cisive est celle des acquisitions et commandes de la famille royale, entre 1866 et 1941, et une seconde \u00e9tape, celle des acquisitions du Mus\u00e9e de Pele\u015f, r\u00e9alis\u00e9es au cours de la [\u2026]<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[256],"tags":[38],"class_list":["post-8660","post","type-post","status-publish","format-standard","hentry","category-colectii","tag-colectia-de-sticlarie"],"acf":[],"yoast_head":"\n
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