{"id":8705,"date":"2024-10-08T11:59:10","date_gmt":"2024-10-08T11:59:10","guid":{"rendered":"https:\/\/pelestest.thepoint-agency.com\/sclavii\/"},"modified":"2024-10-08T11:59:10","modified_gmt":"2024-10-08T11:59:10","slug":"sclavii","status":"publish","type":"post","link":"https:\/\/thewebdevpoint.com\/fr\/patrimoniu\/sclavii\/8705\/","title":{"rendered":"esclavage"},"content":{"rendered":"[stag_toggle style=\u201dnormal\u201d title=\u201dD\u00e9tails de la pi\u00e8ce\u201d state=\u201dclosed\u201d]Pi\u00e8ce d\u00e9corative \u00ab Esclaves \u00bb
\nAuteur : Giuseppe Michieli, Venise, 1866
\nBronze coul\u00e9, cisel\u00e9
\nH- 140 cm; L- 36 cm[\/stag_toggle]<\/p>\n
Le monde artistique italien a connu un renouveau des styles d\u00e9coratifs ant\u00e9rieurs au XIXe si\u00e8cle. Les \u0153uvres des grands ma\u00eetres de la Renaissance ont \u00e9t\u00e9 transpos\u00e9es avec succ\u00e8s dans le contexte actuel de l'\u00e9poque historiciste.<\/p>\n
Le riche patrimoine dont jouit le ch\u00e2teau de Pele\u0219 est compos\u00e9 d'\u0153uvres cr\u00e9\u00e9es \u00e0 diff\u00e9rentes \u00e9poques, parmi lesquelles se distinguent un petit nombre de pi\u00e8ces en bronze, provenant de la collection de beaux-arts du mus\u00e9e, r\u00e9alis\u00e9es par le sculpteur italien Giuseppe Michieli.<\/p>\n
Le talentueux artiste v\u00e9nitien Giuseppe Michieli, figure majeure des grands arts italiens, est n\u00e9 en 1800, au tournant des XVIIIe et XIXe si\u00e8cles. Ses cr\u00e9ations ont enrichi le riche patrimoine de la p\u00e9ninsule, sa renomm\u00e9e d\u00e9passant les fronti\u00e8res de son pays natal. Les \u0153uvres sign\u00e9es Michieli ont surpris les amateurs de beaut\u00e9 par leur harmonie et leur expressivit\u00e9. L'originalit\u00e9 est facilement perceptible dans ses \u0153uvres, combin\u00e9e avec \u00e9quilibre \u00e0 des \u00e9l\u00e9ments inspir\u00e9s des pi\u00e8ces de th\u00e9\u00e2tre d'auteurs italiens des XVe et XVIe si\u00e8cles. Suivant la mode de l'\u00e9poque, impos\u00e9e dans les arts d\u00e9coratifs au milieu du XIXe si\u00e8cle, Michieli, outre ses cr\u00e9ations originales, se limitait parfois \u00e0 r\u00e9aliser des copies fid\u00e8les d'\u0153uvres d'\u00e9poques ant\u00e9rieures, ex\u00e9cut\u00e9es avec une grande minutie. Le succ\u00e8s qu'il a connu au cours de sa longue carri\u00e8re \u2013 il a v\u00e9cu centenaire \u2013 est d\u00fb non seulement au talent inn\u00e9 du ma\u00eetre, mais aussi \u00e0 ses recherches assidues sur les \u0153uvres de ses compatriotes d'\u00e9poques ant\u00e9rieures. La pr\u00e9f\u00e9rence de Michieli pour les \u0153uvres de Jacopo Sansovino (1486-1570) et de Niccolo Roccatagliata (actif de 1590 \u00e0 1636) est \u00e9vidente dans ses propres r\u00e9alisations.<\/p>\n
![\"\"](\"https:\/\/web.archive.org\/web\/20150704192214im_\/https:\/\/pelestest.thepoint-agency.com\/wp-content\/uploads\/2011\/01\/detaliu-1.jpg\")
Les sculptures copi\u00e9es de Jacopo Sansovino, de son vrai nom Jacopo D\u02bcAntonio Tatti (nom que Sansovino prit apr\u00e8s la mort de son ma\u00eetre, Andrea Sansovino), furent r\u00e9alis\u00e9es \u00e0 petite \u00e9chelle. Certaines d'entre elles, comme Apollon et Mercure, sont expos\u00e9es dans les salles du Mus\u00e9e national de Pele\u0219. Les \u0153uvres originales sign\u00e9es par Sansovino se trouvent encore \u00e0 Venise. L'artiste v\u00e9nitien s'est inspir\u00e9 des cr\u00e9ations de Roccatagliata pour la forme et le d\u00e9cor des bases triangulaires des chandeliers et des abat-jour. L'\u00e9tude approfondie des \u0153uvres de ces artistes humanistes a conduit Giuseppe Michieli \u00e0 r\u00e9aliser des \u0153uvres parfaites, empreintes de beaut\u00e9 et de gr\u00e2ce.<\/p>\n
Parmi ses cr\u00e9ations les plus c\u00e9l\u00e8bres, r\u00e9alis\u00e9es en collaboration avec son fils Guglielmo, figure le projet \u00ab\u00a0Victor\u00a0\u00bb, qui visait \u00e0 cr\u00e9er un monument d\u00e9di\u00e9 \u00e0 Giuseppe Garibaldi. La statue de l'homme politique italien, haute de 3 m\u00e8tres, a \u00e9t\u00e9 r\u00e9alis\u00e9e dans la fonderie v\u00e9nitienne de Giuseppe Michieli. Le monument a \u00e9t\u00e9 inaugur\u00e9 le 29 ao\u00fbt 1886 sur la place Garibaldi \u00e0 Udine, o\u00f9 il se trouve encore aujourd'hui.<\/p>\n
Le m\u00eame atelier v\u00e9nitien patronn\u00e9 par Giuseppe Michieli a enrichi la d\u00e9coration pari\u00e9tale de l'\u00e9glise Saint-Antoine de Padoue avec quatre statues en bronze repr\u00e9sentant Saint Louis de Toulouse, Saint Fran\u00e7ois, Saint Antoine et Saint Bonaventure.<\/p>\n
L'int\u00e9r\u00eat remarquable qu'il portait \u00e0 chaque cr\u00e9ation artistique, alli\u00e9 \u00e0 son talent particulier, propulsa Giuseppe Michieli au rang des cr\u00e9ateurs reconnus de l'\u00e9poque. Apr\u00e8s avoir \u00e9labor\u00e9 les esquisses pr\u00e9liminaires, l'artiste v\u00e9nitien participait \u00e0 l'ensemble du processus de cr\u00e9ation de l'\u0153uvre. Le travail pers\u00e9v\u00e9rant de l'artiste italien gagna en popularit\u00e9 gr\u00e2ce \u00e0 sa participation \u00e0 de grandes expositions organis\u00e9es en Italie et \u00e0 l'\u00e9tranger. \u00c0 l'Exposition universelle de Paris de 1867, Giuseppe Michieli pr\u00e9senta des lustres, illustr\u00e9s dans le catalogue de l'exposition, Art Journal, publi\u00e9 \u00e0 Londres, p. 263.<\/p>\n
L'ann\u00e9e 1881 lui apportera le troph\u00e9e tant convoit\u00e9 qui couronnera toute son activit\u00e9 artistique. \u00c0 l'Exposition universelle de Milan, Michieli recevra la m\u00e9daille d'or pour ses copies en bronze d'apr\u00e8s Jacopo Sansovino.<\/p>\n
![\"\"](\"https:\/\/web.archive.org\/web\/20150704192214im_\/https:\/\/pelestest.thepoint-agency.com\/wp-content\/uploads\/2011\/01\/detaliu-2.jpg\")
Int\u00e9ress\u00e9 par l'\u0153uvre de l'artiste italien, le roi Carol Ier acheta pour sa r\u00e9sidence d'\u00e9t\u00e9 de Sinaia deux pi\u00e8ces d\u00e9coratives exceptionnelles, hautes de 140 cm et larges de 36 cm, sign\u00e9es Giuseppe Michieli. Expos\u00e9es de part et d'autre de la balustrade, elles enrichissent la d\u00e9coration de l'Escalier d'Honneur reliant l'Entr\u00e9e Officielle et le Salon d'Honneur.<\/p>\n
Les trois pieds r\u00e9duits en forme de griffes de griffon, soutenant la base triangulaire, aux c\u00f4t\u00e9s concaves, d\u00e9cor\u00e9e en registres superpos\u00e9s de feuilles d'acanthe, de volutes v\u00e9g\u00e9tales et d'oves, rappellent les cr\u00e9ations de Niccolo Roccatagliata.<\/p>\n
Le corps en forme d'ob\u00e9lisque est form\u00e9 de segments successifs en retrait. En bas, trois sphinx aux queues enroul\u00e9es encadrent trois cartouches rectangulaires, d\u00e9cor\u00e9s en relief de symboles v\u00e9nitiens\u00a0: le lion de Saint-Marc tenant un livre ouvert portant une inscription en latin, un couple emprisonn\u00e9 et un personnage f\u00e9minin drap\u00e9, all\u00e9gorie du commerce, assis sur une bo\u00eete rectangulaire portant une inscription et une date (Venise, 1866), avec une ancre \u00e0 c\u00f4t\u00e9 d'eux. Sur les t\u00eates des sphinx, trois personnages masculins, en ronde-bosse, partiellement drap\u00e9s, les bras encha\u00een\u00e9s, reposent leurs pieds. Les protom\u00e9s de lion soutenant les anores servant \u00e0 fixer les cha\u00eenes sont plac\u00e9s \u00e0 la base du segment sup\u00e9rieur compos\u00e9 de trois chim\u00e8res. Six personnages masculins en ronde-bosse, dont seulement trois drap\u00e9s, sont repr\u00e9sent\u00e9s en mouvement inverse des aiguilles d'une montre. En haut, trois griffons d\u00e9limitent le segment form\u00e9 par trois putti en bas. Le disque circulaire soutient la balustrade avec la sph\u00e8re dor\u00e9e, termin\u00e9e par le symbole de Venise, le lion ail\u00e9 de San Marco soutenant avec ses griffes le bouclier avec l'inscription "S. MARCO".<\/p>\n
La pi\u00e8ce d\u00e9corative r\u00e9alis\u00e9e par Michieli en bronze patin\u00e9 en 1866 \u00e9tait probablement le prototype du lustre avec lequel l'artiste v\u00e9nitien participa \u00e0 l'Exposition universelle de Paris en 1867. Dans le catalogue de l'\u00e9v\u00e9nement, Giuseppe Michieli est caract\u00e9ris\u00e9 par les critiques d'art de l'\u00e9poque comme \u00ab un artiste-fabricant distingu\u00e9 de Venise \u00bb.<\/p>\n
Corina Dumitrache, conservateur<\/small><\/h4>","protected":false},"excerpt":{"rendered":"
[stag_toggle style=\u201dnormal\u201d title=\u201dD\u00e9tails de la pi\u00e8ce\u201d state=\u201dclosed\u201d]Pi\u00e8ce d\u00e9corative \u00ab Les Esclaves \u00bb Auteur : Giuseppe Michieli, Venise, 1866 Bronze moul\u00e9 et cisel\u00e9 H- 140 cm ; L- 36 cm[\/stag_toggle] Au XIXe si\u00e8cle, l'art italien a connu un renouveau des styles d\u00e9coratifs ant\u00e9rieurs. Les \u0153uvres des grands ma\u00eetres de la Renaissance ont \u00e9t\u00e9 transpos\u00e9es avec succ\u00e8s dans le contexte actuel de l'\u00e9poque historiciste. Le riche patrimoine [\u2026]<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[260,259],"tags":[157],"class_list":["post-8705","post","type-post","status-publish","format-standard","hentry","category-argint-si-metal-comun","category-patrimoniu","tag-colectia-de-argint-si-metal-comungiuseppe-michieli"],"acf":[],"yoast_head":"\n
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