{"id":10601,"date":"2024-10-23T11:52:40","date_gmt":"2024-10-23T08:52:40","guid":{"rendered":"https:\/\/pelestest.thepoint-agency.com\/?post_type=colectie&p=10601"},"modified":"2024-12-19T13:18:23","modified_gmt":"2024-12-19T11:18:23","slug":"patul-doria","status":"publish","type":"colectie","link":"https:\/\/thewebdevpoint.com\/ro\/colectie\/patul-doria\/","title":{"rendered":"PATUL DORIA"},"content":{"rendered":"\t\t
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O pies\u0103 de o valoare excep\u0163ional\u0103, dat\u00e2nd din jurul anilor 1572, care apar\u0163ine colec\u0163iei Regelui Carol I din castelul Pele\u015f este patul Doria.<\/div>\n

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Giovanni Andrea Doria (1539-1606), nepotul \u015fi fiul adoptiv al celebrului amiral, Andrea Doria, f\u0103cea parte din familia dogilor din Genova. A condus \u00een B\u0103t\u0103lia de la Lepanto (1571), flota cre\u015ftin\u0103 a Sfintei Ligi (Spania, Vene\u0163ia, Sf\u00e2ntul Scaun \u015fi Genova) care, sub comanda lui Don Juan de Austria, a ob\u0163inut o str\u0103lucit\u0103 victorie \u00eempotriva flotei turce\u015fti, condus\u0103 de Ali \u2013 Arab Pa\u015fa. Aceast\u0103 victorie care a provocat o explozie de bucurie \u00een \u00eentreaga cre\u015ftin\u0103tate, a pus cap\u0103t legendei invincibilit\u0103\u0163ii otomane.<\/div>\n

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Familia amiralului Doria de\u0163inea o bogat\u0103 colec\u0163ie de art\u0103, obiecte valoroase de orfevr\u0103rie, o serie de tapiserii comandate prin intermediul lui Lazzaro Calvi \u015fi Luca Cambiaso, fresce pre\u0163ioase cu subiecte mitologice \u015fi alegorice, mobilier etc., \u00een palatele sale din Fassolo, Pegli (vila Centurione Doria, azi muzeu naval) \u015fi Grimaldi (Genova).<\/div>\n

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Patul cu baldachin, executat de artizani din nordul Italiei (probabil din Genova), \u00een jurul anilor 1573 a apar\u0163inut, ca pat de campanie, amiralului G.A.Doria, lucrarea fiind achizi\u0163ionat\u0103, \u00een a doua jum\u0103tate a secolului al XIX-lea, de c\u0103tre consulul german, Felix Bamberg*, \u015fi men\u0163ionat\u0103 \u00een cataloagele manuscrise, semnate \u015fi datate 1889. Acesta o ofer\u0103 spre cump\u0103rare regelui Carol I, \u00eempreun\u0103 cu un valoros lot de picturi.<\/div>\n

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Piesa a fost expus\u0103 de la bun \u00eenceput, \u00een Castelul Pele\u015f. \u00cen timpul Primului R\u0103zboi Mondial, este transportat\u0103, \u00eempreun\u0103 cu celelalte valori patrimoniale de excep\u0163ie din Pele\u015f, \u00een vederea protej\u0103rii, \u00een Moldova, la Domeniul Coroanei (Dobrov\u0103\u0163 sau Zorleni).<\/div>\n

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\u00cen anii 1922, regina Maria, \u00een campania de amenajare a Branului, a transportat patul, \u00een proasp\u0103tul Salon Doria din castel.<\/div>\n

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Readus \u015fi remontat, patul se g\u0103se\u015fte \u00een anul 1933 \u00een Sala de concerte a castelului Pele\u015f. Inventarul \u00eentocmit \u00een anul 1948 \u00eenregistreaz\u0103 patul \u00een Galeria de marmur\u0103, unde a fost expus p\u00e2n\u0103 \u00een anul 1977, c\u00e2nd a \u00eenceput opera\u0163iunea de transport \u015fi depozitare a pieselor din patrimoniul castelului, la Posada. (\u00cen perioada 1954 \u2013 1956 este transferat la Muzeul Na\u0163ional de Art\u0103 al Rom\u00e2niei \u015fi ulterior returnat). Dup\u0103 anul 1990, materialul textil \u015fi broderiile au intrat \u00eentr-o lung\u0103 perioad\u0103 de restaurare, \u00een laboratoarele M.N.Pele\u015f, lucrare laborioas\u0103, \u00een curs de finalizare \u00een acest an.<\/div>\n

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Patul cu baldachin se compune din mai multe p\u0103r\u0163i, dup\u0103 cum urmeaz\u0103:<\/div>\n

<\/p>\n

  • draperia fundal av\u00e2nd brodat\u0103 o scen\u0103 de lupt\u0103 naval\u0103;<\/li>
  • draperia acoperi\u015f central brodat\u0103 cu decor pajur\u0103 cu \u015fase pui;<\/li>
  • draperia lateral\u0103 cu \u00eensemne heraldice;<\/li>
  • trei lambrechine brodate cu motive floral\u2013vegetale \u015fi zoomorfe<\/li>
  • cuvertura \u015fi dou\u0103 perne<\/li>
  • patru st\u00e2lpi din lemn de nuc, bogat sculptat.<\/li><\/ul><\/div>\n

    <\/p>\n\n

    <\/p>\n\n

    <\/p>\n\n

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    <\/p>\n\n

    <\/p>\n

    Broderiile par a proveni din ateliere diferite \u015fi din perioade diferite.<\/div>\n

    <\/p>\n

    Asamblarea piesei s-a executat, probabil, \u00een cursul unor opera\u0163ii de restaurare din anul 1877, anterioare achizi\u0163ion\u0103rii de c\u0103tre Regele Carol I. Din piesa original\u0103 se mai p\u0103streaz\u0103 doar broderia de fundal \u015fi cei patru st\u00e2lpi din lemn ai baldachinului.<\/div>\n

    <\/p>\n

    Broderia fundal, montat\u0103 pe o draperie din damasc de m\u0103tase natural\u0103 gri-bleu imortalizeaz\u0103, alegoric, evenimentul sf\u00e2r\u0163itului de secol XVI- lupta naval\u0103 de la Lepanto.<\/div>\n

    <\/p>\n

    De form\u0103 dreptunghiular\u0103, cu un chenar brodat cu fir metalic auriu pe suport de \u0163es\u0103tur\u0103 fin\u0103 de in, p\u0103streaz\u0103 la col\u0163uri decoruri cu motive avimorfe (pas\u0103re a\u015fezat\u0103 pe o ramur\u0103 de m\u0103r), \u00een tonuri cromatice de maron, verde, galben, bej.<\/div>\n

    <\/p>\n

    Chenarul din partea st\u00e2ng\u0103 este format din: trei medalioane ovale, brodate cu fir de m\u0103tase reprezent\u00e2nd un pavilion pagod\u0103 (ro\u015fu, galben, maron, bej), o compozi\u0163ie heraldic\u0103 surmontat\u0103 de motive florale (grena, albastru, galben, verde stins), o cetate brodat\u0103 cu fir de m\u0103tase bej. \u00cen cartu\u015f se observ\u0103 o figur\u0103 masculin\u0103, pictat\u0103 pe \u0163es\u0103tura textil\u0103, \u00een griuri alb\u0103strii, bustul unui cavaler \u00een armur\u0103, cu guler gen Rena\u015ftere spaniol\u0103, colan, profil cu musta\u0163\u0103, privind spre partea st\u00e2ng\u0103 (Miguel Cervantes, erou \u015fi participant la lupta de la Lepanto, unde \u00ee\u015fi pierde un bra\u0163). Deasupra portretului se g\u0103se\u015fte un scut cu \u00eensemne heraldice. Silueta unui arbore stilizat, \u00eenflorit, \u00een nuan\u0163e de galben, verde, maron ofer\u0103 o not\u0103 de optimism decorului.<\/div>\n

    <\/p>\n

    Chenarul din partea de sus cuprinde: \u015fase medalioane ovale, o bordur\u0103 cu broderie fin\u0103 din fire de argint, \u00een interiorul medalioanelor a\u015ftrii stiliza\u0163i, o alegorie a soarelui \u00een cromatic\u0103 de galben \u2013 oranj, semiluna, motiv rozet\u0103 solar\u0103, lun\u0103 plin\u0103 \u00een tonuri de bej, albastru \u015fters, galben. Central, un castru roman \u00eenconjurat de vegeta\u0163ie abundent\u0103, predomin\u00e2nd culoarea verde.<\/div>\n

    <\/p>\n

    Chenarul din partea dreapt\u0103 prezint\u0103 trei medalioane: un decor arhitectural (far cu acoperi\u015f), o compozi\u0163ie heraldic\u0103 inclus\u0103 \u00eentr-un lambrechin ro\u015fu de m\u0103tase, surmontat\u0103 de motive florale, \u00een tonuri de galben, verde, bej. Important este cartu\u015ful cu specifica\u0163ia \u00een limba francez\u0103 \u201cRestaur\u00e9e en 1877 \u00e0 Mes\u2026\u2026. (numele localit\u0103\u0163ii \u015fters, ilizibil, probabil, Messina), \u015fi ad\u0103ugat, Baron Felix et Baronesse Elisabeth de Bamberg. Deasupra acestui cartu\u015f, un cavaler \u00een costum militar cu sabie \u015fi inscrip\u0163ia \u201cD.I.D.Austria\u201d ( desigur, Don Juan de Austria, fiul lui Carol Quintul, amiralul care s-a aflat \u00een fruntea flotei cre\u015ftine de la Lepanto).<\/div>\n

    <\/p>\n

    Chenarul din partea de jos, \u00een por\u0163iunea din mijloc, red\u0103 corturi pe c\u00e2mpul de lupt\u0103.<\/div>\n

    <\/p>\n

    Central. Subiectul este tratat \u00een dou\u0103 registre. Registrul inferior imortalizeaz\u0103 confruntarea naval\u0103 a flotei cre\u015ftine cu cea musulman\u0103. S-ar p\u0103rea c\u0103 autorul broderiei s-a inspirat dup\u0103 o pictur\u0103 alegoric\u0103 a lui Paolo Veronese, datat\u0103 1572, care poarta titlul Lupta de la Lepanto (Galleria dell\u2019Accademia din Vene\u0163ia). Sunt prezentate vase angajate \u00een lupt\u0103, delfini \u00eentr-o zon\u0103 de \u0163\u0103rm, pe un fundal cromatic bej, albastru deschis, nuan\u0163e de ro\u015fu, bej \u015fi broderie cu fir de aur la vasele de lupt\u0103. \u0162\u0103rmul este redat pe fond de broderie din m\u0103tase, \u00een multiple nuan\u0163e de verde, cl\u0103diri, corturi, p\u00e2lcuri de arbori, lac \u00een cromatic\u0103 de bejuri, ro\u015fu, verde, bleu. Registrul superior reprezint\u0103 o alegorie a puterilor divine care particip\u0103 la aceast\u0103 b\u0103t\u0103lie (\u00eengeri plutind pe nori, central \u00een medalion cu raze, Madona binecuv\u00e2nt\u00e2nd lupta, \u00eenconjurat\u0103 de cete \u00eengere\u015fti, \u00een medalioane mici). Din loc \u00een loc, flori brodate cu fir de m\u0103tase. Atmosfera este dinamic\u0103, scena real\u0103 a luptei se \u00eemplete\u015fte \u00een mod fericit cu planul superior, al divinit\u0103\u0163ilor protectoare.<\/div>\n

    <\/p>\n

    Broderia, executat\u0103 \u00een stil occidental, a fost distrus\u0103, av\u00e2nd por\u0163iuni \u015fterse. Restaurarea veche este eviden\u0163iat\u0103, \u00een primul r\u00e2nd de firul metalic, cel vechi fiind puternic oxidat \u015fi fragilizat, cel nou cu o culoare mai vie \u015fi cu mult mai rezistent. Culorile broderiei vechi sunt culori vegetale.<\/div>\n

    <\/p>\n

    Draperia acoperi\u015f sau \u201ccerul\u201d, format\u0103 din broderie cu fir m\u0103tase, combinat\u0103 cu fir metalic pe suport de damasc din m\u0103tase natural\u0103, albastru-gri (damascul original) prezint\u0103 central, \u00een medalion, o pajur\u0103 (simboliz\u00e2nd mesagerul celei mai \u00eenalte divinit\u0103\u0163i, soarele, de asemenea emblema imperial\u0103 a lui Cezar, precum \u015fi a altor c\u0103petenii r\u0103zboinice c\u0103rora le imprumut\u0103 atributele de putere) cu aripile desf\u0103cute, protej\u00e2nd \u015fapte pui \u00een cuib. Motive vegetal \u2013 florale \u015fi vrejuri \u00eenconjoar\u0103 scena, \u00een culori de bej, maron \u015fi albastru-verde. Bordura este alc\u0103tuit\u0103 din dragoni stiliza\u0163i \u015fi vrejuri vegetale \u00een volut\u0103 asociate cu motive florale.<\/div>\n

    <\/p>\n

    Aceast\u0103 broderie este singura care p\u0103streaza suportul material original, fiind lat\u0103 de 63 cm, l\u0103\u0163ime des \u00eent\u00e2lnit\u0103 la m\u0103t\u0103surile italiene din secolul al XVI-lea. Din observa\u0163ii \u015fi m\u0103sur\u0103tori rezult\u0103 c\u0103 materialul original a fost \u00eenlocuit \u00een dou\u0103 r\u00e2nduri, cu \u0163es\u0103tur\u0103 de r\u0103zboi mecanic, modific\u00e2ndu-se astfel l\u0103\u0163imile.<\/div>\n

    <\/p>\n

    Lambrechinele exterioare p\u0103streaz\u0103 o broderie puternic reliefat\u0103, cu stema Brandenburg \u2013 amintind de ramura franconian\u0103 a Zollernilor \u2013 motiv heraldic, pajur\u0103 cu aripile larg deschise \u015fi cruce surmontat\u0103, semn c\u0103 a fost adaugat\u0103 mai t\u00e2rziu, c\u00e2nd fusese deja in posesia regelui Carol I, iar firul textile este vizibil vopsit \u00een culori chimice.<\/div>\n

    <\/p>\n

    Lambrechinul din fa\u0163\u0103 este interesant prin registrul superior care prezint\u0103 opt buchete de flori \u00een glastre (simboliz\u00e2nd credin\u0163a \u00een Dumnezeu sau fa\u0163\u0103 de \u00eemp\u0103rat), \u00een cromatic\u0103 de ro\u015fu, galben, albastru. La mijloc un p\u0103un (\u00een tradi\u0163ia cre\u015ftin\u0103, p\u0103unul simbolizeaz\u0103 discul solar, un semn al nemuririi, coada lui evoc\u00e2nd cerul \u00eenstelat), sigur, aici simbolul heraldic care aminte\u015fte blazonul familiei de Wied.<\/div>\n

    <\/p>\n

    Lambrechinul lateral, de form\u0103 dreptunghiular\u0103 prezint\u0103 central dou\u0103 p\u0103s\u0103ri cu aripi deschise, a\u015fezate pe ramuri de m\u0103slin, deasupra corol\u0103 de floare deschis\u0103, f\u00e2nt\u00e2n\u0103 cu scripete \u015fi g\u0103leat\u0103, flori \u00een glastre \u00een cromatic\u0103 ro\u015fu, negru, galben, verde.<\/div>\n

    <\/p>\n

    Perna lung\u0103, de form\u0103 dreptunghiular\u0103 este \u00eembr\u0103cat\u0103 \u00een catifea de m\u0103tase ro\u015fu-grena, cu motive renascentiste, gallon cu fir \u015fi franjuri.<\/div>\n

    <\/p>\n

    St\u00e2lpii din lemn de nuc, care sus\u0163in baldachinul sunt bogat sculpta\u0163i \u00een form\u0103 de coloan\u0103. \u00cent\u00e2lnim mai multe registre sculptate cu: motive vegetale, frunz\u0103 de acant; br\u00e2u de perle; vrejuri \u00een volut\u0103 \u015fi motive florale; mascheroni, vulturi bicefali, grifoni, capete de putti; \u00eengeri.<\/div>\n

    <\/p>\n

    Secolul al XVI-lea \u00eenseamn\u0103 triumful sculpturii \u00een domeniul mobilierului, atunci c\u00e2nd sunt utilizate motivele decorative inspirate din antichitatea greco-roman\u0103 (cartu\u015fe, medalioane, vrejuri vegetale, himere, dragoni etc.), al\u0103turi de alte elemente \u00eemprumutate din sculptura monumental\u0103 (coloane, ghirlande, volute etc.).<\/div>\n

    <\/p>\n

    * Felix Bamberg-publicist \u015fi om politic german s-a n\u0103scut la Unruhstadt, Germania, la 17 mai 1820 \u015fi a murit \u00een Saint-Gratien, \u00een apropiere de Paris, la 12 februarie 1893. A studiat filozofia \u015fi istoria la Berlin \u015fi Paris, a devenit consul la Paris pentru Prusia \u015fi Brunswick \u00een anul 1851, \u015fi pentru Federa\u0163ia Nord-german\u0103, \u00een 1867. \u00cen 1870 Bamberg a fost trimis la sediul central al armatei Germaniei de la Versailles, \u00een calitate de responsabil al departamentului de pres\u0103. Un an mai t\u00e2rziu, \u00een calitate de consilier politic, el a devenit ata\u015fat la Manteuffel, apoi comandant \u015fef al trupelor care ocup\u0103 Fran\u0163a. \u00cen anul 1874, Bamberg a devenit consulul german de la Messina, iar \u00een perioada 1881-1888 este numit consul-general, la Genova.<\/div>\n

    <\/p>\n

    Pasionat de art\u0103, \u015fi posesor al unei bogate colec\u0163ii, cump\u0103r\u0103 de la licita\u0163iile europene lucr\u0103ri de pictur\u0103 \u015fi antichit\u0103\u0163i ( piese rare de mobilier, instrumente muzicale etc.). Galeria de art\u0103, constituit\u0103 de regele Carol I, provine, \u00een cea mai mare parte din achizi\u0163ionarea unui mare lot din colec\u0163ia Bamberg. Acesta ii ofer\u0103 monarhului din Rom\u00e2nia, o bun\u0103 parte din faimoasa Galerie spaniol\u0103 a lui Louis \u2013 Philippe d\u2019Orleans, galerie ce figurase la Luvru \u015fi fusese apoi v\u00e2ndut\u0103 la Londra, \u00een anul 1853.<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"featured_media":15897,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"categorie-colectie":[7],"tag-obiect-colectie":[],"class_list":["post-10601","colectie","type-colectie","status-publish","has-post-thumbnail","hentry","categorie-colectie-colectia-de-mobilier"],"acf":[],"yoast_head":"\nPATUL DORIA · Peles Test<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<script type=\"application\/ld+json\" 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