Colec\u0163ia de sticl\u0103 a Muzeului Na\u0163ional Pele\u015f, cuprinz\u00e2nd peste 1500 de piese, s-a constituit \u00een dou\u0103 mari etape, str\u00e2ns legate de istoria castelului c\u0103ruia i-a fost destinat\u0103. O prim\u0103 \u015fi decisiv\u0103 etap\u0103 este reprezentat\u0103 de achizi\u0163iile \u015fi comenzile Familiei Regale, \u00eentre 1866 \u2013 1941, iar o a doua de achizi\u0163iile Muzeului Pele\u015f, realizate \u00een perioada 1969 \u2013 1974.<\/p>\n
\n
![\"Lampa](\"https:\/\/pelestest.thepoint-agency.com\/wp-content\/uploads\/2016\/08\/013.-LAMPA-TIFFANY-202x300.jpg\" "\\"Lampa")
<\/p>\n
Lampa ,,Wisteria\u201d
\nL. C. Tiffany, New York, SUA 1925
\nBronz, turnare, cizelare, patinare;
\nplumb, laminare; sticl\u0103, gen vitraliu<\/p>\n<\/div>\n
Ini\u0163iativa constituirii unei astfel de colec\u0163ii a apar\u0163inut Regelui Carol I, urma\u015fii s\u0103i, dintre care se va remarca Regina Maria, continu\u00e2nd s\u0103 \u00eembog\u0103\u0163easc\u0103 fondul valoros deja existent.<\/p>\n
Colec\u0163ia cuprinde piese de provenien\u0163\u0103 german\u0103, italian\u0103, austriac\u0103, francez\u0103 precum \u015fi vase din cristal de Boemia sau englezesc, realizate \u00een cea de-a doua parte a secolului al XIX-lea \u015fi \u00eenceputul secolului al XX-lea.<\/p>\n
Prin tipurile de comenzi \u015fi achizi\u0163ii de piese noi inspirate dup\u0103 modele de epoc\u0103, Regele Carol I apar\u0163ine ariei comanditarilor de art\u0103 istorist\u0103. Astfel, secven\u0163a german\u0103 ilustreaz\u0103 modele decorative ale secolelor al XVI-lea \u015fi al XVII-lea, ce apar\u0163in Rena\u015fterii \u015fi barocului: o iconografie simbolic\u0103, efigii imperiale, prin\u0163i electori, cavaleri, steme ale familiilor nobiliare germane.<\/p>\n
Un loc important \u00een colec\u0163ie, nu \u00een primul r\u00e2nd prin num\u0103rul mare de piese, l-au de\u0163inut produsele manufacturilor Murano, achizi\u0163ionate \u00een perioada 1900 \u2013 1920 de la \u201eThe Venice and Murano Company\u201d, condus\u0103 de Giulio \u015fi Amalia Salviati. Aceste ateliere au produs piese cu caracter istorist, inspirate dup\u0103 originale din secolele al XVI-lea \u015fi al XVII-lea \u015fi care demonstreaz\u0103 talentul \u015fi m\u0103iestria sticlarilor, abilit\u0103\u0163i perpetuate de-a lungul genera\u0163iilor, p\u00e2n\u0103 \u00een zilele noastre. Identitatea pieselor este dat\u0103 de calit\u0103\u0163ile cromatice de excep\u0163ie ale sticlei transparente sau irizate, de gra\u0163ia formelor, de elegan\u0163a lor fragil\u0103, capitol \u00een care m\u0103iestria sticlarilor de la Murano r\u0103m\u00e2ne neintrecuta. Repertoriul decorativ al acestor obiecte de art\u0103 n\u0103scute \u00een laguna vene\u0163ian\u0103 se compune din caravele, animale marine, dragoni, lebede, serpi, mascaroni, ghirlande florale etc. Colec\u0163ia a fost \u00eembog\u0103\u0163it\u0103 \u015fi cu produse executate \u00een \u201estil modern\u201d: vase cu iriza\u0163ii bogate, \u00een culorile g\u00e2ndacului de Cantarida, m\u0103rgele \u201emillefiori\u201d \u015fi altele.<\/p>\n
Pe l\u00e2ng\u0103 piesele de reprezentare, Familia Regal\u0103 de\u0163inea \u015fi o serie de piese de uz curent: servicii de mas\u0103 din cristal fran\u0163uzesc (Baccarat, Saint Louis) fin gravat cu motive vegetale; serviciu de lichior sau garnitur\u0103 pentru flori din cristal de Boemia, decorate cu scene cinegetice sau motive florale gravate \u015fi aurite; serviciu pentru baut din cristal englezesc (Webb) t\u0103iat \u00een punct de diamant \u015fi gavat cu cifru regal surmontat de coroan\u0103 inchisa.<\/p>\n
\n
![\"Cupa\"](\"https:\/\/pelestest.thepoint-agency.com\/wp-content\/uploads\/2016\/08\/003-178x300.jpg\" "\\"Cupa\\"")
<\/p>\n
Cup\u0103 Atelier Murano
\n4\/4 sec. XIX
\nSticl\u0103 colorat\u0103, suflat\u0103
\n\u015fi modelat\u0103 liber<\/p>\n<\/div>\n
O alt\u0103 arie de referin\u0163\u0103 spre care se orienteaz\u0103 Familia Regal\u0103 \u00een comenzile sale este cea a Artei 1900. Atelierele vieneze Lobmeyr, furnizor al Cur\u0163ii Imperiale, primesc din partea Casei Regale Rom\u00e2ne o comand\u0103 pentru un serviciu din cristal cuprinz\u00e2nd pahare, boluri, farfurioare, decorat cu scene campestre pictate cu aur coloidal, dup\u0103 cum atest\u0103 o factur\u0103 din anul 1908. Aceleia\u015fi arii i se circumscrie \u015fi serviciul de toalet\u0103 din cristal dublu strat (alb \u2013 rubiniu), decorat de Josef Hoffmann precum \u015fi vasele din sticl\u0103 cu frumoase iriza\u0163ii cu efecte plastice, lucrate \u00een atelierele Loetz\u2019 Witwe.<\/p>\n
Datorit\u0103 Principesei Maria, devenit\u0103 Regin\u0103 \u00een 1914, ansamblul de sticl\u0103rie regal\u0103 se \u00eembog\u0103\u0163e\u015fte cu piese remarcabile, expresii ale stilului Art Nouveau. Apropierea Mariei de fenomenul artei 1900 s-a realizat prin perspectiva propriei sale percep\u0163ii \u2013 de artist \u015fi colec\u0163ionar. Ea achizi\u0163ioneaz\u0103 lucr\u0103ri de Emile Gall\u00e9 (excep\u0163ionalele vase Muza paradisiac\u0103, Claire de lune \u015fi altele), Ren\u00e9 Lalique (vasele Tortues, Chamarande, C\u00f4tes plates \u015fi altele), Auguste \u015fi Jean-Antonin Daum (lustr\u0103, vase cam\u00e9e), Christian Desir\u00e9, Jean Sala, G. Argy-Rousseau, Almaric Walter, Louis Comfort Tiffany (serviciu pentru b\u0103ut din sticl\u0103 Favrile, lamp\u0103 de birou etc.<\/p>\n
Prin\u0163esa de origine britanic\u0103, o adept\u0103 a re\u00eenvierii tradi\u0163iilor artizanale promovata de atelierele Arts and Crafts din Anglia, a creat ea \u00eens\u0103\u015fi lucr\u0103ri \u00een spirit Art Nouveau. Printre alte realizari ale Reginei Maria se num\u0103r\u0103 \u015fi un set de \u015fase pahare executate in atelier austriac si pictate de ea cu motive florale, p\u0103strate \u00een colec\u0163ia de sticl\u0103 a Muzeului Na\u0163ional Pele\u015f.<\/p>\n
Actiunile Familiei Regale de achizi\u0163ii \u015fi comenzi \u00een str\u0103in\u0103tate s-au desf\u0103\u015furat \u00een paralel cu o politic\u0103 bine determinat\u0103 de \u00eencurajare a industriei na\u0163ionale de sticl\u0103rie. \u00cen acest sens, se cuvin amintite fabricile de la Azuga \u015fi Media\u015f, c\u0103rora li s-au comandat piese: fie servicii tradi\u0163ionale, personalizate cu cifrul regal, fie moderne, \u00een stil Art Deco. Este cazul serviciului din sticla fumurie expus in castelul Pelisor, care este realizat de Atelierele din Azuga in perioada in care il aveau ca director artistic pe Emerico Montesy, un discipol al fratilor Daum si al lui Emile Gall\u00e9, ce studiase arta sticlariei la Nancy.<\/p>\n
\u00cen perioada 1969 \u2013 1974, Muzeul Pele\u015f a dus o politic\u0103 sus\u0163inut\u0103 de achizi\u0163ii de la persoane particulare (din Bucure\u015fti, Bra\u015fov, R\u00e2\u015fnov), urm\u0103rindu-se completarea fondului existent cu obiecte din cristal de Boemia, dar \u00een special cu piese Gall\u00e9, Daum, Lalique.<\/p>\n
Interioarele muzeelor Pele\u015f \u015fi Peli\u015for expun cateva dintre cele mai valoroase piese ale colec\u0163iei \u015fi propun publicului vizitator o \u00eent\u00e2lnire cu delicata \u015fi fragila lume a sticl\u0103 de art\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"
Colec\u0163ia de sticl\u0103 a Muzeului Na\u0163ional Pele\u015f, cuprinz\u00e2nd peste 1500 de piese, s-a constituit \u00een dou\u0103 mari etape, str\u00e2ns legate de istoria castelului c\u0103ruia i-a fost destinat\u0103. O prim\u0103 \u015fi decisiv\u0103 etap\u0103 este reprezentat\u0103 de achizi\u0163iile \u015fi comenzile Familiei Regale, \u00eentre 1866 \u2013 1941, iar o a doua de achizi\u0163iile Muzeului Pele\u015f, realizate \u00een perioada […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[256],"tags":[38],"class_list":["post-8660","post","type-post","status-publish","format-standard","hentry","category-colectii","tag-colectia-de-sticlarie"],"acf":[],"yoast_head":"\n
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