{"id":8663,"date":"2024-10-08T11:59:10","date_gmt":"2024-10-08T11:59:10","guid":{"rendered":"https:\/\/pelestest.thepoint-agency.com\/colectia-de-ceramica\/"},"modified":"2024-10-08T11:59:10","modified_gmt":"2024-10-08T11:59:10","slug":"colectia-de-ceramica","status":"publish","type":"post","link":"https:\/\/thewebdevpoint.com\/ro\/colectii\/colectia-de-ceramica\/8663\/","title":{"rendered":"Colec\u021bia de ceramic\u0103"},"content":{"rendered":"
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G\u00e2ndit s\u0103 \u00eendeplineasc\u0103 o tripl\u0103 func\u021bie, aceea de reprezentare, de loc de decizie politic\u0103 \u0219i de l\u0103ca\u0219 de cultur\u0103, Castelul Pele\u0219, re\u0219edin\u021ba regal\u0103 de var\u0103, r\u0103m\u00e2ne unul dintre cele mai importante muzee din Rom\u00e2nia datorit\u0103 variet\u0103\u021bii \u0219i valorii deosebite a colec\u021biilor care \u00eel alc\u0103tuiesc. Al\u0103turi de celebra colec\u021bie de pictur\u0103 ce cuprindea peste 200 de tablouri, Regele Carol I a pus bazele unei remarcabile colec\u021bii de art\u0103 decorativ\u0103, constituit\u0103 treptat de-a lungul unei jum\u0103ta\u021bi de veac de domnie, prin achizi\u021bii importante de mobilier, arme, tapiserii \u0219i covoare, piese de metal pre\u021bios, sticl\u0103rie \u015fi ceramic\u0103, crea\u021bii ale celor mai faimoase ateliere \u015fi manufacturi ale epocii.<\/span><\/p>\n

\n

\"Platou<\/p>\n

Cupa trilobat\u0103 cu scen\u0103 mitologic\u0103
\nMoartea lui Endymion
\nAtelier Floren\u021ba, Toscana, Italia
\nFaian\u021b\u0103 pictat\u0103
\n4\/4 sec. XIX<\/span><\/p>\n<\/div>\n

\u00cen cadrul acestui vast proiect artistic, colec\u021bia de ceramic\u0103 (gresie, faian\u021b\u0103, por\u021belan) a Castelului Pele\u0219 ocup\u0103 un loc bine determinat, at\u00e2t ca num\u0103r (cole\u021bia se compune din peste 5000 de piese), c\u00e2t \u0219i ca valoare (piesele ceramice onoreaz\u0103 autorii \u0219i centrele ceramice europene \u015fi orientale la mod\u0103 \u00een secolul al XIX-lea \u0219i la \u00eenceputul secolului al XIX-lea, ca \u0219i ateliere mai vechi).<\/span><\/p>\n

Pasionat\u0103 de frumos, din care \u0219i-a f\u0103cut un adevarat crez, Regina Maria (1914-1927) continu\u0103 tradi\u021bia de colec\u021bionar inaugurat\u0103 de Regele Carol I \u0219i achizi\u021bioneaz\u0103 piese de ceramic\u0103 Art Nouveau, pe care le distribuie cu deosebit sim\u021b estetic \u00een decorul insolit al Castelului Peli\u0219or, resedin\u021ba sa particular\u0103.<\/span><\/p>\n

\u00cen anii \u201970, \u00een plin regim comunist, Muzeul Pele\u0219 ini\u021biaz\u0103 un adevarat program de achizi\u021bie de piese de art\u0103 de la persoane particulare sau din anticariate, ad\u0103ugand colec\u021biei deja \u00eenchegate un plus valoric semnificativ.<\/span><\/p>\n

Urm\u0103rit de ideea necesita\u021bii compunerii unui spa\u021biu demn de reprezentare a tinerei Monarhii, Regele Carol I a reu\u0219it s\u0103 creeze la Sinaia, ca \u0219i \u00een capital\u0103, una dintre cele mai \u00eenchegate colec\u021bii de art\u0103 decorativ\u0103, far\u0103 precedent \u00een istoria noastr\u0103 cultural\u0103. Cump\u0103rate fie din str\u0103inatate, direct de la ateliere sau cu ocazia vizitelor ocazionate de Expozi\u021biile Universale de la Paris, Londra sau Viena, fie din colec\u021bii particulare apar\u021bin\u00e2nd aristocra\u021biei locale \u0219i str\u0103ine sau de la firme specializate de distribu\u021bie, piesele de ceramic\u0103 din colec\u021bia Castelului Pele\u0219 celebreaz\u0103 bunul-gust, varietatea \u0219i m\u0103iestria arti\u0219tilor de alt\u0103dat\u0103.<\/span><\/p>\n

\n

\"Amfora\"<\/p>\n

Amfor\u0103 decorativ\u0103
\nAtelier S\u00e8vres, Fran\u021ba
\nPor\u021belan pictat, bronz aurit
\n4\/4 sec. XIX<\/span><\/p>\n<\/div>\n

De\u0219i Carol I a preferat pentru re\u0219edin\u021ba sa de var\u0103 faian\u021ba european\u0103 de imita\u021bie, ceramic\u0103 oriental\u0103 reprezint\u0103 un segment valoros al colec\u021biei. Achizi\u021bionate treptat, \u00eenc\u0103 din primii ani dup\u0103 venirea sa \u00een Rom\u00e2nia, piesele orientale completeaz\u0103 fericit atmosfera eclectic\u0103 a Castelului. Al\u0103turi de vasele chineze\u0219ti din secolele XVIII-XIX, din ,,familia verde\u201d, ,,alb-albastru\u201d \u0219i ,,brune de Chine\u201d, m\u0103iestrit decorate cu scene narative de mare intensitate, se reg\u0103sesc c\u00e2teva rafinate vase Celadon din secolul al XVIII-lea. Ceramica japonez\u0103 provenit\u0103 din celebrele ateliere Imari-Arita \u0219i Satzuma se distinge prin boga\u021bia decorativ\u0103 \u0219i cromatic\u0103, ca \u0219i prin varietatea formelor: platouri \u0219i vase decorative. \u00cen general, piesele ceramice extrem-orientale au fost achizi\u021bionate de pe pia\u021ba constantinopolitan\u0103 prin intermediul pictorului documentarist maltez, Amedeo Preziosi (1816-1882).<\/span><\/p>\n

Ceramica persan\u0103 este ilustrat\u0103 de c\u00e2teva vase pentru gr\u0103sime din secolele al XVII-lea \u0219i al XVIII-lea, reprezentative pentru ceramica din epoca Safavizilor (1502-1736). Piesele se caracterizeaz\u0103 prin fine\u021bea glazurii turcoaz str\u0103lucitoare \u0219i semitransparent\u0103 ca \u0219i prin precizia desenului stilizat. Sumarul periplu prin atelierele ceramice orientale se \u00eencheie cu ceramica de serie turceasc\u0103 de la sf\u00e2r\u0219itul secolului al XVII-lea \u0219i \u00eenceputul secolului al XVIII-lea, fabricat\u0103 de faimosul atelier Iznik, remarcabil\u0103 prin frumuse\u021bea \u0219i simetria decorului floral \u0219i geometric, ca \u0219i prin cromatica vie \u0219i variat\u0103.<\/span><\/p>\n

Ceramica european\u0103 constituie nucleul colec\u021biei \u0219i se define\u0219te printr-o mare diversitate stilistic\u0103. \u00cen cadrul segmentului european, faian\u021ba de secol XIX ocup\u0103 un loc central deoarece era purt\u0103toarea valorilor istorice \u0219i ideologice ale epocii Rena\u0219terii. Ceramica spaniol\u0103 este ilustrat\u0103 de piese variate, decorate cu motive heraldice \u00een tonuri \u00eenchise de albastru-cobalt sau ocru, create de atelierele Toledo si Talavera.<\/span><\/p>\n

Maiolica italian\u0103 de larg\u0103 circula\u021bie \u00een \u00eentreaga Europ\u0103 se bucur\u0103 de o reprezentare consistent\u0103, at\u00e2t din punctul de vedere al centrelor ceramice celebre, c\u00e2t \u0219i al tipologiei dezvoltate \u00een Peninsul\u0103 \u0219i al motivelor decorative specifice fiec\u0103rei manufacturi. De altfel, \u00een secolul al XIX-lea, ceramica italian\u0103 reu\u0219e\u0219te s\u0103 cucereasc\u0103 pia\u021ba, Cur\u021bile europene devenind principalele comanditare. Moda ceramicii \u00e0 l\u2019ancienne, cu r\u0103d\u0103cini ad\u00e2nci \u00een Rena\u0219tere, promovat\u0103 de mae\u0219trii ceramicii italiene, se impune cu succes \u0219i la curtea Regelui Carol I. Alegerile suveranului sunt influen\u021bate \u00een mare masur\u0103 de educa\u021bia artistic\u0103 primit\u0103 \u00een s\u00e2nul familiei sale de la Sigmaringen. Ceramica copiaz\u0103 sau se inspir\u0103 din formele spectaculoase ale secolelor XV \u2013 XVI, piesele lui Luca della Robbia, amforele cu anse-serpi, vasele de farmacie, cupele trilobate, pl\u0103cile decorative \u0219i adapteaz\u0103 decorurile a raffaelesche, a grotesche, a istoriato, coppa d\u2019amore, bella donna etc, noilor cuceriri tehnice \u00eenregistrate p\u00e2n\u0103 \u00een secolul istorist.<\/span><\/p>\n

\n

\"Platou\"<\/p>\n

Platou decorativ
\nAtelier Ginori, Floren\u021ba, Italia
\nFaian\u021b\u0103 pictat\u0103
\n4\/4 sec. XIX<\/span><\/p>\n<\/div>\n

\u00cen anul 1873, Societatea Amicii Bellelor Arte organizeaz\u0103 la Bucure\u0219ti prima sa expoz\u021bie. Pe l\u00e2ng\u0103 piese valoroase de art\u0103 plastic\u0103, mobilier, arme, monede, sunt expuse pentru prima dat\u0103 obiecte din ceramic\u0103 din colec\u021bii private diverse, al\u0103turi de vase istoriste din maiolica italian\u0103. Gestul vorbea despre predilec\u021bia suveranului rom\u00e2n pentru faian\u021ba toscan\u0103 \u0219i pentru spiritul ei de glorificare a trecutului.<\/span><\/p>\n

Colec\u021bia de faiant\u0103 italian\u0103 a Castelului Pele\u0219 cuprinde piese semnificative din toate atelierele consacrate in epoc\u0103: Ginori, Caffaggiolo, Torelli, Cantagalli, Faenza, Deruta, Savona, Gubbio, Orvietto, Nove, Capodimonte \u0219i Urbino. Motivele decorative tipice atelierelor Urbino \u0219i Faenza, cristalizate \u00eenca din secolul al XVI \u2013 lea, sunt integrate \u00een repertoriul decorativ al pieselor Faenza sau Ginori. Cei mai importan\u021bi furnizori ai Casei regale rom\u00e2ne sunt Alberto Issel din Genova, la 1884, 1885, Moise della Torre&Co. din Florenta, la 1911 \u0219i Manifattura di Signa, Terrecotte artistiche din Floren\u021ba la 1912 etc. Al\u0103turi de piesele istoriste, colec\u021bia regal\u0103 cuprinde c\u00e2teva piese originale, de mare rafinament, care dateaz\u0103 din secolele XVI-XVII.<\/span><\/p>\n

Influen\u021bat\u0103 de ceramica italian\u0103, faian\u021ba istorist\u0103 de sorginte francez\u0103 \u00eemprumut\u0103 \u0219i adapteaz\u0103 decorurile consacrate \u00een Italia \u0219i circul\u0103 sub denumirea generic\u0103 de faian\u021ba \u00e0 la venitienne. \u00cen colec\u021bia regal\u0103 de la Castelul Pele\u0219, Carol I a inclus piese valoroase create de atelierele Rouen, Marseilles, Bordeaux, Saint-Cloud, Paris, Moustiers, Sarreguemines, ca \u0219i reproduceri reu\u0219ite dup\u0103 piesele naturaliste create de Bernard Palissy \u00een secolul al XVI-lea. \u00cen ceea ce prive\u0219te por\u021belanul francez, piesele din colec\u021bia muzeului sunt fie c\u00f3pii dup\u0103 modele valoroase, create de cele mai cunoscute ateliere de profil din Fran\u021ba, precum S\u00e8vres, Paris, Saint-Cloud \u0219i Chantilly, fie produc\u021bii istoriste de mare rafinament. Stilistic, por\u021belanurile franceze acoper\u0103 o \u00eentreag\u0103 palet\u0103 de stiluri, de la chinez\u0103rii, la figurine \u0219i vase \u00een stil rococo, neoclasic \u0219i Empire ajung\u00e2nd p\u00e2n\u0103 la Art Nouveau, curent reprezentat magistral de piesele imaginate de Cl\u00e9ment Massier la 1900, designerul atelierului Golfe Juan, din Alpii maritimi. Comenzile regale au fost adresate magazinelor celebre precum Au vase etrusque. Fa\u00efances artistiques din Paris, \u00een 1869, firmelor Jules Houry. Specialit\u00e9 de porcelaines et fa\u00efences d\u2019art, in 1873 \u0219i Louise Celli\u00e8re.C\u00e9ramique centrale. Fa\u00efences fran\u00e7aises, \u00een 1879 etc.<\/span><\/p>\n

\n

\"Amfora<\/p>\n

Amfor\u0103 gigant cu
\nscen\u0103 mitologic\u0103 marin\u0103
\nAtelier Richard\u2013Ginori, Foren\u021ba, Italia
\nFaian\u021ba pictat\u0103, 4\/4 sec. XIX<\/span><\/p>\n<\/div>\n

Contactele economice \u0219i culturale cu Fran\u021ba \u0219i Italia, au determinat \u00een Germania, dezvoltarea unei ceramici distincte, care se inspir\u0103 din motivele decorative renascentiste \u0219i baroce consacrate, dar le adapteaz\u0103 formelor \u0219i spiritului german. \u021aara \u00een care s-a inventat por\u021belanul este cel mai bogat valorificat\u0103 \u00een colec\u021bia regal\u0103, fapt explicabil, desigur, prin \u00eens\u0103\u0219i originea suveranilor, dar \u0219i prin varietatea extraordinara a productiei ceramice dezvoltate \u00een secolul al XIX-lea. Colec\u021bia german\u0103 de por\u021belan a castelului cuprinde piese valoroase create \u00een atelierele consacrate de la Meissen, Nymphenburg, Ilmenau, Rosenthal, Volkstedt, Villeroi&Boch Mettlach, L\u00f6nitz, Hamburg, Berlin, Grenzhauser, Villingen, Frankenthal etc.<\/span><\/p>\n

Mi\u0219carea na\u021bional\u0103 de dup\u0103 1871 de rede\u0219teptare a con\u0219tiin\u021bei germanit\u0103\u021bii a determinat \u0219i \u00een acest domeniu reluarea produc\u021biei de gresie de imita\u021bie Westerwald, cu apogeul \u00een secolul al XVI-lea. Caracterizat\u0103 prin policromie redus\u0103 (albastru, alb, cenu\u0219iu), prin aspectul dur \u0219i opac, prin decorul \u00een relief, ca \u0219i prin larga difuzare a tipologiei vaselor Bellarmini, ceramica gen Westerwald din secolul al XIX-lea se bucur\u0103 de o larg\u0103 reprezentare \u00een colec\u021bia regal\u0103.<\/span><\/p>\n

Por\u021belanul german din colec\u021bia regal\u0103 se caracterizeaz\u0103 prin varietate tipologic\u0103 \u0219i prin calitate artistic\u0103. Al\u0103turi de figurinele inspirate ale atelierului Meissen – unele dintre ele -, copii dup\u0103 marii arti\u0219ti ai secolului al XVIII-lea, precum Johann Joachim K\u00e4ndler, celebru sculptor german \u0219i cel mai important modelator de por\u021belan din atelierul lui B\u00f6ttger, stau piesele Ilmenau, Rosenthal \u0219i Nymphenburg: servicii de ceai, garnituri de mas\u0103, vase br\u00fblle-parfume, platouri decorative etc. Printre exportatorii germani s-au num\u0103rat Kunstgewerbe, Werkstatt des Architecten R. Bichweiler din Hamburg, K\u00f6nigliche Hof\u2013Kunst\u2013Anstalt von C. W. Fleischmann din N\u00fcrnberg, E. Crauer din Creuznach, la 1881, J. von Schwartz, Artistische-Fajance und Terracotta-Fabrik din Leipzig, la 1884, Julius Lange, Glass, Porzellan und Majolica-Waaren-Lager din Berlin, la 1885 \u0219i Bayerische Kunstgewerbe -Verein din M\u00fcnchen, la 1896.<\/span><\/p>\n

Ceramicii germane din colec\u021bia regala i se adaug\u0103 celebrele vase olandeze de Delft, din secolele al XVIII – lea \u0219i al XIX -lea, lucrate \u00een cama\u00efeu, inspirate din motivele decorative extrem – orientale, ca \u015fi por\u0163elanurile fine fabricate \u00een Austria, la Viena sau \u00een centrele din Boemia, precum Pirkenhammer, fabrica de por\u021belan care func\u021bioneaz\u0103 \u0219i ast\u0103zi. Unul dintre cei mai prolifici furnizori de ceramic\u0103 austriac\u0103 ai Casei regale rom\u00e2ne a fost firma Carlo Vanni, la 1869 \u0219i 1872, Fabrik von Rococo-Schmuck und Kunst -Gegenst\u00e4nden, la 1872, M\u00fcnzen Antiquit\u00e4ten, la 1872 \u0219i J. Weidman la 1900, toate firme din Viena.<\/span><\/p>\n

\n

\"Vas<\/p>\n

Vas Bellarmini
\nAtelier german
\nGresie, cositor, 4\/4 sec. XIX<\/span><\/p>\n<\/div>\n

Ceramica englez\u0103 din colec\u021bia regal\u0103 provine din atelierele Wedgwood, Tunstall, Minton, Johnson Bros, Copeland \u015fi Doulton-Lambeth, din Londra. Imita\u021bie a ceramicii germane, \u00een special al gresiei, a por\u021belanului chinezesc \u0219i a tipologiei pieselor din argint, ceramica englezeasc\u0103 cap\u0103t\u0103 treptat originalitate \u0219i valoare, devenind o art\u0103 de sine st\u0103t\u0103toare. La \u00eenceputul secolului al XIX-lea, Josiah Spode II, me\u0219ter ceramist din secolul al XVIII-lea la Stoke-upon-Trent, combin\u0103 argila chinezeasc\u0103, gresia \u0219i glazura \u0219i ob\u021bine bone china, care imit\u0103 por\u021belanul, dar e mai ieftin. Regele Carol I achizi\u021bioneaz\u0103 cea mai mare parte a pieselor engleze\u0219ti prin intermediul lui Theodor Held din Londra. Firma W. P. L. G. Philips, China and Glass Manufactures din capitala Regatului Unit livreaz\u0103 de asemenea, suveranului rom\u00e2n faian\u021b\u0103 Minton.<\/span><\/p>\n

Vasele \u015fi figurinele animaliere de Copenhaga, piesele ungure\u0219ti Arta 1900, serviciile de lavoar de serie create de manufacturile Szolnay-Pecs \u0219i Fischer, vasele ruse\u0219ti de mari dimensiuni, fabricate la Moscova \u0219i Sankt-Petersburg, de\u0219i reduse numeric, confer\u0103 colec\u021biei o mare diversitate. \u00cen colec\u021bia regal\u0103 figureaz\u0103 c\u00e2teva piese de uz curent al\u0103turi de replici dup\u0103 vechea gresie german\u0103, fabricate \u00een ateliere bucure\u0219tene sau transilv\u0103nene.
\nMenit\u0103 s\u0103 confere culoare interioarelor regale, ceramica din castelele Pele\u0219 si Peli\u0219or se \u00eenscrie \u00een patrimoniul na\u021bional ca una dintre cele mai importante \u0219i mai coerente colec\u021bii de art\u0103 decorativ\u0103 din Rom\u00e2nia.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

G\u00e2ndit s\u0103 \u00eendeplineasc\u0103 o tripl\u0103 func\u021bie, aceea de reprezentare, de loc de decizie politic\u0103 \u0219i de l\u0103ca\u0219 de cultur\u0103, Castelul Pele\u0219, re\u0219edin\u021ba regal\u0103 de var\u0103, r\u0103m\u00e2ne unul dintre cele mai importante muzee din Rom\u00e2nia datorit\u0103 variet\u0103\u021bii \u0219i valorii deosebite a colec\u021biilor care \u00eel alc\u0103tuiesc. Al\u0103turi de celebra colec\u021bie de pictur\u0103 ce cuprindea peste 200 de […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[256],"tags":[42],"class_list":["post-8663","post","type-post","status-publish","format-standard","hentry","category-colectii","tag-colectia-de-ceramica"],"acf":[],"yoast_head":"\nColec\u021bia de ceramic\u0103 · Peles Test<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<script type=\"application\/ld+json\" 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