{"id":8687,"date":"2024-10-08T11:59:10","date_gmt":"2024-10-08T11:59:10","guid":{"rendered":"https:\/\/pelestest.thepoint-agency.com\/platou-decorativ-bella-donna\/"},"modified":"2024-10-08T11:59:10","modified_gmt":"2024-10-08T11:59:10","slug":"platou-decorativ-bella-donna","status":"publish","type":"post","link":"https:\/\/thewebdevpoint.com\/ro\/patrimoniu\/platou-decorativ-bella-donna\/8687\/","title":{"rendered":"Platou Decorativ Bella Donna"},"content":{"rendered":"<p>[stag_toggle style=&#8221;normal&#8221; title=&#8221;Detalii despre pies\u0103&#8221; state=&#8221;closed&#8221;]BIANCA CAPPELLO,<BR> Atelier Torelli, Floren\u0163a,<BR> gen Faenza[\/stag_toggle]<\/p>\n<p>Patronate de puternica familie Medici, atelierele florentine de maiolic\u0103 au contribuit cu mijloace specifice la consacrarea lor ca mecena ai artelor. Cunoscu\u0163i pentru aplecarea lor spre cultur\u0103 \u00een general, Medici se dovedesc revolu\u0163ionari \u015fi \u00een acest domeniu, impulsion\u00e2nd o art\u0103 pe cale s\u0103 cucereasc\u0103 lumea rafinat\u0103 a aristocra\u0163iei toscane, \u00eenc\u0103 de la \u00eenceputul secolului al XV-lea. Manufactura Torelli, nu face excep\u0163ie: deseori arti\u015ftii se inspir\u0103 din artele majore, \u00een special din pictur\u0103. \u00cen secolul al XIX-lea, artefactele Torelli devin modele pentru arti\u015ftii istori\u015fti din Italia, care realizeaz\u0103 c\u00f3pii izbutite ale pieselor consacrate.<\/p>\n<p>Platoul decorativ, tip ,,bella donna\u201d este exemplul elocvent al principiilor artistice promovate de istorism: el reproduce cu m\u0103iestrie o pies\u0103 original\u0103 de secol XVI, care o are ca protagonist\u0103 pe frumoasa nobil\u0103 vene\u0163ian\u0103, Bianca Cappello (1548 \u2013 1587), a doua so\u0163ie a marelui duce al Toscanei, Francesco I Medici (1541 \u2013 1587), disp\u0103rut\u0103 la doar 44 de ani, \u00een circumstan\u0163e misterioase. Autorul anonim s-a inspirat f\u0103r\u0103 dubiu dup\u0103 un ulei pe p\u00e2nz\u0103, executat \u00een anul 1572, de c\u0103tre portretistul florentin, Agnolo Bronzino (1503 -1572), pictorul oficial al lui Cosimo I Medici (1519 \u2013 1574) \u015fi al lui Francesco I Medici (1541 \u2013 1587).<\/p>\n<p>Agnolo (sau Angelo) di Cosimo di Mariano Tori, zis \u015fi Bronzino, unul dintre cei mai importan\u0163i reprezentan\u0163i ai Manierismului, a debutat ca elev al lui Pontormo, cu care elaboreaz\u0103 lucr\u0103ri importante \u00een Floren\u0163a \u00eenceputului de secol XVI. Printre ele, frescele de la m\u0103n\u0103stirea c\u0103lug\u0103rilor Certozini Galluzzo \u015fi cele din capela Capponi de la Santa Felicita. \u00cen anul 1530, intr\u0103 \u00een vizorul celebrei familii Della Rovere, din Marche, unde execut\u0103 portrete. Treptat, Bronzino \u00ee\u015fi des\u0103v\u00e2r\u015fe\u015fte tehnica, devenind nu doar cel mai solicitat portretist, ci \u015fi unul dintre cei mai originali. Figurile sale, \u00een aparen\u0163\u0103 rigide \u015fi foarte protocolare, imortalizate \u00een costume de aparat, exceleaz\u0103 prin acuitatea extraordinar\u0103 a desenului \u015fi prin paleta cromatic\u0103 foarte fin\u0103, \u00eentins\u0103 cu tu\u015fe netede \u015fi compacte. C\u0103tre 1540, Bronzino devine pictorul preferat al aristocra\u0163iei florentine \u015fi artistul oficial al familiei Medici. Afinit\u0103\u0163ile sale intelectuale cu Cosimo I Medici, cuno\u015ftin\u0163ele temeinice \u00een materie de literatur\u0103, \u00eel apropie de personalit\u0103\u0163ile umaniste ale epocii, reunite la Floren\u0163a, sub patronajul Medici. Aria preocup\u0103rilor lui Bronzino dep\u0103\u015fe\u015fte pictura, \u00eembr\u0103\u0163i\u015f\u00e2nd arta tapiseriei. Bronzino lucreaz\u0103 cartoane, dup\u0103 care sunt executate minunate piese pentru Palazzo Vecchio. Dup\u0103 1560, spre sf\u00e2r\u015fitul Conciliului de la Trento (1545 \u2013 1563), pictura lui Bronzino invadeaz\u0103 l\u0103ca\u015furile sfinte, devenind tot mai ideologizat\u0103. \u00cen anul 1572, Bronzino prime\u015fte una dintre ultimele sale comenzi, \u015fi anume realizarea portretului Bianc\u0103i Cappello. P\u00e2nza a rezistat asaltului timpului p\u00e2n\u0103 ast\u0103zi \u015fi poate fi admirat\u0103 cu aceea\u015fi pl\u0103cere ca \u015fi acum mai bine de patru secole la Galleria Palatina de la Palatul Pitti din Floren\u0163a.<\/p>\n<p>N\u0103scut\u0103 la Vene\u0163ia, \u00een anul 1543, \u00eentr-o veche familie de aristocra\u0163i, Bianca p\u0103rea o \u00eentrupare a femeilor din p\u00e2nzele lui Giorgione sau Tizian: avea tr\u0103s\u0103turile tipice unei frumuse\u0163i blond-ro\u015fcate, cu forme trandafirii \u015fi apetisante, cu privire languroas\u0103 pe un chip inocent \u015fi cu temperament de aventurier\u0103: la v\u00e2rsta de 17 ani se \u00eendr\u0103goste\u015fte nebune\u015fte de Pietro Bonaventura, un mediocru func\u0163ionar florentin la filiala vene\u0163ian\u0103 a B\u0103ncii Salviati. Refugiat\u0103 la Floren\u0163a, unde d\u0103 na\u015ftere unui copil, Bianca Cappello sau Capello, dup\u0103 grafia vene\u0163ian\u0103 a numelui, se angajeaz\u0103 \u00eentr-o mezalian\u0163\u0103 spre disperarea familiei. \u00cencepe astfel, o via\u0163\u0103 de tribula\u0163ii, din care \u00ee\u015fi g\u0103se\u015fte salvarea al\u0103turi de ducele Francesco, cel care o sus\u0163ine material \u015fi \u00eei protejeaz\u0103 reputa\u0163ia.<\/p>\n<p>C\u0103s\u0103torit cu Ioana de Austria, sora puternicului \u00eemp\u0103rat Maximilian al II-lea \u015fi fiica lui Ferdinand I, Francesco Medici se simte nefericit al\u0103turi de o so\u0163ie arogant\u0103, lipsit\u0103 de farmec \u015fi diploma\u0163ie. Ioana nu irose\u015fte nici o ocazie s\u0103-\u015fi umileasc\u0103 so\u0163ul, pentru care manifest\u0103 dispre\u0163 nedisimulat. Rapid, Bianca Cappello se las\u0103 sedus\u0103 de perspectiva unei vie\u0163i tr\u0103ite \u00een r\u0103sf\u0103\u0163 \u015fi opulen\u0163\u0103 \u015fi devine \u2013 cum era de a\u015fteptat \u2013 amanta ducelui. Triunghiul amoros \u00een care este implicat\u0103 nu pare s\u0103 scandalizeze pe nimeni: campioni ai artelor, mecena, militari \u00eendr\u0103zne\u0163i, arhitec\u0163i de talent, papi plini de glorie, Medici posed\u0103 toate darurile \u00een afar\u0103 de moralitate. La r\u00e2ndul lui, Pietro Bonaventura prefer\u0103 familiei sale jocul de c\u0103r\u0163i \u015fi dezm\u0103\u0163ul. \u00cenecat \u00een b\u0103utur\u0103 \u015fi datorii colosale, pe care, cu generozitate, ducele nu ezit\u0103 s\u0103 le acopere, Pietro se las\u0103 purtat de v\u00e2rtejul unei existen\u0163e consumate la c\u00e2rcium\u0103.<\/p>\n<p>Ambi\u0163ioas\u0103 \u015fi \u00eenc\u0103 foarte t\u00e2n\u0103r\u0103, Bianca Cappello comploteaz\u0103 \u00een vederea unei vie\u0163i \u00eendestulate. \u00cendr\u0103gostit ca un adolescent, ducele \u00eei cump\u0103r\u0103 o cas\u0103 luxoas\u0103 pe Via Maggio, vizavi de Palatul ducal, unde o viziteaz\u0103 sub ochii resemna\u0163i ai so\u0163ului, care abia dac\u0103 se sinchise\u015fte de scandalul \u00een care \u00eei este t\u00e2r\u00e2t numele. Agasat de datoriile tot mai mari ale lui Pietro, Francesco ia decizia mult am\u00e2nat\u0103: \u00een anul 1572, \u00ee\u015fi anihileaz\u0103 rivalul \u015fi devine singurul posesor al mult r\u00e2vnitelor comori ale Bianc\u0103i. Incapacitatea Ioanei de Austria de a-i oferi un urma\u015f o determin\u0103 s\u0103-i \u00eensceneze ducelui o fars\u0103: cu complicitatea servitoarelor sale, se preface \u00eens\u0103rcinat\u0103, dar complotul este dejucat. \u00cen ciuda eviden\u0163elor, dup\u0103 moartea so\u0163iei sale, marele duce o iart\u0103 \u015fi se c\u0103s\u0103tore\u015fte cu ea \u00een secret, la 2 iunie 1578. C\u00e2teva luni mai t\u00e2rziu, la 12 octombrie, Francesco renun\u0163\u0103 la precau\u0163iile curente de dragul tinerei sale so\u0163ii \u015fi organizeaz\u0103 o a doua ceremonie cu mult\u0103 pomp\u0103, unde invit\u0103 toat\u0103 crema societ\u0103\u0163ii florentine.<\/p>\n<p>\u00ceng\u0103duitori cu amanta, membrii familiei Medici se arat\u0103 ne\u00eendur\u0103tori cu so\u0163ia. Du\u015fmanul s\u0103u de moarte, cardinalul Ferdinando, fratele mic al lui Francesco, nu \u00eei iart\u0103 Bianc\u0103i cutezan\u0163a gestului. Atitudinea irepro\u015fabil\u0103 de dup\u0103 c\u0103s\u0103torie, manierele des\u0103v\u00e2r\u015fite \u015fi reputa\u0163ia de patroan\u0103 a artelor, al\u0103turi de un so\u0163 interesat mai degrab\u0103 de chimie \u015fi \u015ftiin\u0163ele naturii dec\u00e2t de treburile Senioriei, nu reu\u015fesc s\u0103 \u00eel \u00eenduplece. O va ur\u00ee p\u00e2n\u0103 la moarte \u015fi nu va admite s\u0103 fie \u00eenmorm\u00e2ntat\u0103 \u00een capela familiei de Medici din Biserica San Lorenzo. Legenda spune c\u0103 exasperat\u0103 de intrigile cardinalului, Bianca comploteaz\u0103 s\u0103-l otr\u0103veasc\u0103, dar Fortuna \u00eei joac\u0103 o fest\u0103: \u00ee\u015fi otr\u0103ve\u015fte din gre\u015feal\u0103 so\u0163ul, dup\u0103 care se sinucide. Un final de vodevil.<\/p>\n<p>Reprezentat\u0103 bust, cu voal pe cap \u015fi cunun\u0103 de perle, cu coleret\u0103 ampl\u0103 \u015fi ve\u015fminte opulente \u00een spiritul epocii \u00een tonuri de violet \u015fi galben, Bianca apare \u00een plin\u0103 frumuse\u0163e, \u00een pragul v\u00e2rstei de 30 de ani, pe fundalul imaculat al c\u00e2mpului central al platoului, care \u00eei eviden\u0163iaz\u0103 fine\u0163ea tr\u0103s\u0103turilor. Bordura elaborat\u0103, \u00een stilul decorului \u00e0 grotesche, gen Faenza, reune\u015fte \u00eentr-o compozi\u0163ie voit dramatic\u0103, dominat\u0103 de tonuri \u00eenchise de albastru-cobalt \u015fi ocru, volute vegetale, figuri grote\u015fti \u015fi trei cartu\u015fe cu inscrip\u0163iile: BIANCA, CAPPELLO \u015fi anul MDLXXVII (1577), cel mai probabil, data fabric\u0103rii platoului original de c\u0103tre arti\u015ftii atelierului Torelli.<\/p>\n<h4>Macrina Oproiu, <small>muzeograf<\/small><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>[stag_toggle style=&#8221;normal&#8221; title=&#8221;Detalii despre pies\u0103&#8221; state=&#8221;closed&#8221;]BIANCA CAPPELLO, Atelier Torelli, Floren\u0163a, gen Faenza[\/stag_toggle] Patronate de puternica familie Medici, atelierele florentine de maiolic\u0103 au contribuit cu mijloace specifice la consacrarea lor ca mecena ai artelor. Cunoscu\u0163i pentru aplecarea lor spre cultur\u0103 \u00een general, Medici se dovedesc revolu\u0163ionari \u015fi \u00een acest domeniu, impulsion\u00e2nd o art\u0103 pe cale s\u0103 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[264,259],"tags":[135],"class_list":["post-8687","post","type-post","status-publish","format-standard","hentry","category-ceramica","category-patrimoniu","tag-atelier-torellicolectia-de-ceramica"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Platou Decorativ Bella Donna &#183; Peles Test<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/\"},\"author\":{\"name\":\"aysemariadav\",\"@id\":\"https:\/\/thewebdevpoint.com\/ro\/#\/schema\/person\/eaad1484e1392d3fc5d35c9d5a1f7488\"},\"headline\":\"Platou Decorativ Bella Donna\",\"datePublished\":\"2024-10-08T11:59:10+00:00\",\"dateModified\":\"2024-10-08T11:59:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/\"},\"wordCount\":1245,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/thewebdevpoint.com\/ro\/#organization\"},\"keywords\":[\"Atelier Torelli|colectia de ceramica\"],\"articleSection\":[\"Ceramica\",\"Patrimoniu\"],\"inLanguage\":\"ro-RO\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/\",\"url\":\"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/\",\"name\":\"Platou Decorativ Bella Donna &#183; Peles Test\",\"isPartOf\":{\"@id\":\"https:\/\/thewebdevpoint.com\/ro\/#website\"},\"datePublished\":\"2024-10-08T11:59:10+00:00\",\"dateModified\":\"2024-10-08T11:59:10+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/#breadcrumb\"},\"inLanguage\":\"ro-RO\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Acas\u0103\",\"item\":\"https:\/\/thewebdevpoint.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Platou Decorativ Bella Donna\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/thewebdevpoint.com\/ro\/#website\",\"url\":\"https:\/\/thewebdevpoint.com\/ro\/\",\"name\":\"Peles Test\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/thewebdevpoint.com\/ro\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/thewebdevpoint.com\/ro\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"ro-RO\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/thewebdevpoint.com\/ro\/#organization\",\"name\":\"Muzeul Pele\u0219\",\"alternateName\":\"MP\",\"url\":\"https:\/\/thewebdevpoint.com\/ro\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ro-RO\",\"@id\":\"https:\/\/thewebdevpoint.com\/ro\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/thewebdevpoint.com\/wp-content\/uploads\/2024\/10\/Logo.svg\",\"contentUrl\":\"https:\/\/thewebdevpoint.com\/wp-content\/uploads\/2024\/10\/Logo.svg\",\"width\":251,\"height\":48,\"caption\":\"Muzeul Pele\u0219\"},\"image\":{\"@id\":\"https:\/\/thewebdevpoint.com\/ro\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\/\/thewebdevpoint.com\/ro\/#\/schema\/person\/eaad1484e1392d3fc5d35c9d5a1f7488\",\"name\":\"aysemariadav\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ro-RO\",\"@id\":\"https:\/\/thewebdevpoint.com\/ro\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/a12b1c700676b68fee98499009c5f521?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/a12b1c700676b68fee98499009c5f521?s=96&d=mm&r=g\",\"caption\":\"aysemariadav\"},\"sameAs\":[\"http:\/\/pelestest.thepoint-agency.com\"],\"url\":\"https:\/\/thewebdevpoint.com\/ro\/author\/aysemariadav\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Platou Decorativ Bella Donna &#183; Peles Test","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/#article","isPartOf":{"@id":"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/"},"author":{"name":"aysemariadav","@id":"https:\/\/thewebdevpoint.com\/ro\/#\/schema\/person\/eaad1484e1392d3fc5d35c9d5a1f7488"},"headline":"Platou Decorativ Bella Donna","datePublished":"2024-10-08T11:59:10+00:00","dateModified":"2024-10-08T11:59:10+00:00","mainEntityOfPage":{"@id":"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/"},"wordCount":1245,"commentCount":0,"publisher":{"@id":"https:\/\/thewebdevpoint.com\/ro\/#organization"},"keywords":["Atelier Torelli|colectia de ceramica"],"articleSection":["Ceramica","Patrimoniu"],"inLanguage":"ro-RO","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/","url":"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/","name":"Platou Decorativ Bella Donna &#183; Peles Test","isPartOf":{"@id":"https:\/\/thewebdevpoint.com\/ro\/#website"},"datePublished":"2024-10-08T11:59:10+00:00","dateModified":"2024-10-08T11:59:10+00:00","breadcrumb":{"@id":"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/#breadcrumb"},"inLanguage":"ro-RO","potentialAction":[{"@type":"ReadAction","target":["https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/thewebdevpoint.com\/patrimoniu\/platou-decorativ-bella-donna\/8687\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Acas\u0103","item":"https:\/\/thewebdevpoint.com\/"},{"@type":"ListItem","position":2,"name":"Platou Decorativ Bella Donna"}]},{"@type":"WebSite","@id":"https:\/\/thewebdevpoint.com\/ro\/#website","url":"https:\/\/thewebdevpoint.com\/ro\/","name":"Peles Test","description":"","publisher":{"@id":"https:\/\/thewebdevpoint.com\/ro\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/thewebdevpoint.com\/ro\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"ro-RO"},{"@type":"Organization","@id":"https:\/\/thewebdevpoint.com\/ro\/#organization","name":"Muzeul Pele\u0219","alternateName":"MP","url":"https:\/\/thewebdevpoint.com\/ro\/","logo":{"@type":"ImageObject","inLanguage":"ro-RO","@id":"https:\/\/thewebdevpoint.com\/ro\/#\/schema\/logo\/image\/","url":"https:\/\/thewebdevpoint.com\/wp-content\/uploads\/2024\/10\/Logo.svg","contentUrl":"https:\/\/thewebdevpoint.com\/wp-content\/uploads\/2024\/10\/Logo.svg","width":251,"height":48,"caption":"Muzeul Pele\u0219"},"image":{"@id":"https:\/\/thewebdevpoint.com\/ro\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/thewebdevpoint.com\/ro\/#\/schema\/person\/eaad1484e1392d3fc5d35c9d5a1f7488","name":"aysemariadav","image":{"@type":"ImageObject","inLanguage":"ro-RO","@id":"https:\/\/thewebdevpoint.com\/ro\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/a12b1c700676b68fee98499009c5f521?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/a12b1c700676b68fee98499009c5f521?s=96&d=mm&r=g","caption":"aysemariadav"},"sameAs":["http:\/\/pelestest.thepoint-agency.com"],"url":"https:\/\/thewebdevpoint.com\/ro\/author\/aysemariadav\/"}]}},"_links":{"self":[{"href":"https:\/\/thewebdevpoint.com\/ro\/wp-json\/wp\/v2\/posts\/8687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thewebdevpoint.com\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thewebdevpoint.com\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thewebdevpoint.com\/ro\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thewebdevpoint.com\/ro\/wp-json\/wp\/v2\/comments?post=8687"}],"version-history":[{"count":0,"href":"https:\/\/thewebdevpoint.com\/ro\/wp-json\/wp\/v2\/posts\/8687\/revisions"}],"wp:attachment":[{"href":"https:\/\/thewebdevpoint.com\/ro\/wp-json\/wp\/v2\/media?parent=8687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thewebdevpoint.com\/ro\/wp-json\/wp\/v2\/categories?post=8687"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thewebdevpoint.com\/ro\/wp-json\/wp\/v2\/tags?post=8687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}