{"id":8708,"date":"2024-10-08T11:59:10","date_gmt":"2024-10-08T11:59:10","guid":{"rendered":"https:\/\/pelestest.thepoint-agency.com\/vas-art-nouveau\/"},"modified":"2024-10-08T11:59:10","modified_gmt":"2024-10-08T11:59:10","slug":"vas-art-nouveau","status":"publish","type":"post","link":"https:\/\/thewebdevpoint.com\/ro\/patrimoniu\/vas-art-nouveau\/8708\/","title":{"rendered":"Vas Art Nouveau"},"content":{"rendered":"

[stag_toggle style=”normal” title=”Detalii despre pies\u0103” state=”closed”]Vas Art Nouveau
\nAutor: Cl\u00e9ment Massier, atelier Golfe-Juan, Fran\u0163a, 1900
\nFaian\u0163\u0103 modelat\u0103 la roat\u0103, barbotin\u0103, pictat\u0103 cu \u015fablonul, glazurat\u0103
\nI: 33 cm, Dt: 22 cm[\/stag_toggle]<\/p>\n

Cl\u00e9ment Massier, unul dintre cei mai str\u0103luci\u0163i reprezentan\u0163i ai ceramicii franceze de la \u00eenceputul secolului al XX-lea, vede lumina zilei \u00een anul 1844, la Vallauris, \u00eentr-o lume dominat\u0103 de ideile Romantismului european, \u00een plan politic \u015fi de rigoarea neoclasic\u0103, \u00een plan artistic. Vallauris, or\u0103\u015fel pitoresc din Alpii Maritimi, \u00eenscris pe harta cultural\u0103 de geniul lui Picasso, este situat \u00een inima Coastei de Azur, la intersec\u0163ia celebrelor sta\u0163iuni, Cannes \u015fi Nisa. Personalitate solar\u0103 \u015fi dinamic\u0103, Cl\u00e9ment \u00ee\u015fi \u00eencepe ucenicia \u00een atelierul tat\u0103lui s\u0103u, Jacques (1801\u20131871) la v\u00e2rsta de doisprezece ani, \u00een anul 1856. Aici creeaz\u0103 piese de serie, dar \u015fi vesel\u0103 de mare rafinament, \u00een care se reg\u0103sesc formele \u015fi decorurile Louis-Philippe \u00een mare vog\u0103. Dotat cu un sim\u0163 artistic precoce, Cl\u00e9ment Massier resimte nevoia de schimbare. Talentul \u00eenn\u0103scut combinat cu o curiozitatea frenetic\u0103 \u00eel determin\u0103 s\u0103-\u015fi \u00eensu\u015feasc\u0103 rapid alfabetul me\u015fte\u015fugului, dar rolul determinant \u00een formarea sa ca viitor artist \u00eel joac\u0103 ceramistul italian, Gaetano Gandolfi. \u00cent\u00e2lnirea cu Gandolfi, din anul 1859, a reprezentat momentul de cotitur\u0103 al carierei sale artistice: interiorizat, capricios \u015fi mizantrop, Gaetano Gandolfi este \u00een cele din urm\u0103 dezarmat de candoarea, inteligen\u0163a \u015fi pasiunea mai t\u00e2n\u0103rului s\u0103u coleg.<\/p>\n

Vuietul marilor evenimente politice din capitala Fran\u0163ei se estompeaz\u0103 \u00een lini\u015ftea atelierului, \u00een care lucreaz\u0103 al\u0103turi de verii s\u0103i, Delphin Massier (1836\u20131907) \u015fi Jean-Baptiste (1850\u20131916). Revolu\u0163ia din iulie 1848, lovitura de stat din toamna anului 1852, c\u00e2nd Napoleon al III-lea proclam\u0103 al doilea Imperiu francez par ireale \u00een atmosfera provincial\u0103 tihnit\u0103 de la Vallauris. Lumea bun\u0103 a metropolelor europene se reune\u015fte cu aceea\u015fi regularitate \u00een fiecare sezon pe riviera francez\u0103 \u015fi via\u0163a pare s\u0103-\u015fi continue neab\u0103tut\u0103 cursul. Pu\u0163ini sunt cei care resimt muta\u0163iile fundamentale pe care arta, sub imboldul ideilor filozofice \u015fi ale publicisticii de specialitate, le \u00eenregistreaz\u0103 c\u0103tre sf\u00e2r\u015fitul secolului al XIX-lea. Marcat\u0103 de cuceririle revolu\u0163iei industriale, arta se dore\u015fte receptorul spiritului ei dinamic, \u00eentr-o societate care \u00eenclin\u0103 tot mai mult c\u0103tre o globalizare avant la lettre. Catalizate de inventarea cinematografului la 1895 \u015fi de apari\u0163ia insolit\u0103 \u00een peisajul decadent al c\u00e2torva ora\u015fe de provincie europene a unor personalit\u0103\u0163i de marc\u0103, hot\u0103r\u00e2te s\u0103 devieze arta din matca ei sec\u0103tuit\u0103 de inspira\u0163ie, ideile noii arte sunt sintetizate de Art Nouveau. Cl\u0103dit pe ruinele unei societ\u0103\u0163i \u00een schimbare tot mai accelerat\u0103, Art Nouveau-ul \u00ee\u015fi g\u0103se\u015fte expresia cea mai fidel\u0103 de manifestare \u00een domeniul artelor decorative. Terenul pe care se mi\u015fc\u0103 \u00een Fran\u0163a fusese preg\u0103tit de o societate imprevizibil\u0103, care \u00eemprumut\u0103 artei febrilitatea \u015fi versatilitatea vie\u0163ii politice.<\/p>\n

\"Atelierul<\/p>\n

Atelierul Cl\u00e9ment Massier, din Golfe-Juan.<\/p>\n<\/div>\n

Situat\u0103 la grani\u0163a dintre sticl\u0103rie \u015fi orfevr\u0103rie, ceramica cunoa\u015fte o dezvoltare controlat\u0103: nu se bucur\u0103 de notorietatea sticl\u0103riei franceze datorat\u0103 produc\u0163iilor str\u0103lucite a lui Gall\u00e9 sau Lalique, de la \u00eenceputul secolului sau de elanul industriei bijuteriei de lux, dar prestigiul s\u0103u este \u00een cre\u015ftere constant\u0103. Ceramicii \u00eei lipse\u015fte valoarea metalului pre\u0163ios \u015fi transparen\u0163a insinuant\u0103 a sticlei. Opac\u0103, nespectaculoas\u0103, r\u0103spunde mai degrab\u0103 unor exigen\u0163e de natur\u0103 intelectual\u0103. Grija Art Nouveau- ului pentru form\u0103 este coroborat\u0103 \u00eentr-o m\u0103sur\u0103 tot mai mare cu utilitarismul \u015fi func\u0163ionalitatea. La o privire superficial\u0103, aten\u0163ia societ\u0103\u0163ii fa\u0163\u0103 de ceramic\u0103 pare limitat\u0103. \u00cen realitate, Parisul, capitala european\u0103 a culturii, g\u0103zduie\u015fte evenimente \u00een domeniu, de mare anvergur\u0103. \u00centre anii 1895 \u015fi 1914, progresele industriei ceramice sunt etalate \u00een patru saloane anuale: Salon de La Soci\u00e9t\u00e9 des Artistes Fran\u00e7ais, La Soci\u00e9t\u00e9 des Artistes D\u00e9corateurs, La Soci\u00e9t\u00e9 Nationale des Beaux-Arts \u015fi Le Salon d\u2019Automne, \u00een timp ce galeriile Georges Petit, Drouet \u015fi Manzi-Joyart g\u0103zduiesc expozi\u0163ii temporare de ceramic\u0103. Asemenea majorit\u0103\u0163ii artelor decorative, ceramica traverseaz\u0103 totu\u015fi o perioad\u0103 de schimb\u0103ri majore. Prima reac\u0163ie contra vechilor tipare o reprezint\u0103 \u00eendep\u0103rtarea de motivele \u015fi formele predilecte ale stilului Louis-Philippe, gest salutat \u00een cadrul expozi\u0163iei-manifest, organizat\u0103 \u00een anul 1897 \u015fi intitulat\u0103 Expozi\u0163ia ceramicii de la Champs-de-Mars. Desprinderea celor trei fabrici de ceramic\u0103 de la Vallauris, conduse de familia Massier, de tiparele consacrate se face lent \u015fi inegal. Pentru Cl\u00e9ment, rutina cotidian\u0103 a atelierului p\u0103rintesc devine \u00eencet, \u00eencet ap\u0103s\u0103toare.<\/p>\n

Cel mai reac\u0163ionar dintre membrii familiei, cel mai \u00eensetat de inova\u0163ie, Cl\u00e9ment renun\u0163\u0103 la vechii colaboratori \u015fi se av\u00e2nt\u0103 pe cont propriu \u00eentr-o aventur\u0103 artistic\u0103 ce avea s\u0103-l poarte pe culmile consacr\u0103rii. \u00cen anul 1883, Cl\u00e9ment Massier pune bazele propriului s\u0103u atelier, \u00een localitatea Golfe-Juan, la intersec\u0163ia celor dou\u0103 ora\u015fe-far ale loisir-ului lumii bune, Nisa \u015fi Cannes, situate nu departe de Monaco, principatul marilor pariuri. Primul gest de frond\u0103 fa\u0163\u0103 de trecut a fost renun\u0163area la ceramica de serie. Ghidat cu pricepere de c\u0103tre Gaetano Gandolfi, Cl\u00e9ment Massier abordeaz\u0103 noi tehnici \u015fi se perfec\u0163ioneaz\u0103 \u00een utilizarea emailurilor, dezvolt\u00e2nd o produc\u0163ie de mare rafinament, \u00een care se \u00eentrez\u0103resc mugurii noului stil. Pentru Cl\u00e9ment Massier, piesele sale trebuie s\u0103 \u00eengem\u0103neze \u00een ele frumuse\u0163ea f\u0103r\u0103 seam\u0103n a peisajului mediteranean \u015fi exploziile florale ale Provensei. Artistul \u00ee\u015fi seduce clientela prin str\u0103lucirea glazurilor irizate, cu reflexe metalice, \u00een care se reg\u0103se\u015fte \u00eentreaga palet\u0103 a spectrului. Colaborarea cu Gaetano \u00eei deschide por\u0163ile unei lumi paradisiace, ale c\u0103rei splendori \u015ftie s\u0103 le valorifice pe deplin.<\/p>\n

\"Membrii<\/p>\n

Membrii atelierului Cl\u00e9ment Massier, 1902-1903.<\/p>\n<\/div>\n

Cl\u00e9ment Massier nu a fost doar un creator de talent, care a excelat \u00een domeniul s\u0103u, ci \u015fi un antreprenor de mare versatilitate. Con\u015ftient de progresele tehnice \u015fi de noile tendin\u0163e ale societ\u0103\u0163ii occidentale, Cl\u00e9ment Massier \u00ee\u015fi gestioneaz\u0103 cu mare pricepere afacerea. Situat strategic, \u00een apropiere de calea ferat\u0103, atelierul Cl\u00e9ment Massier cucere\u015fte pie\u0163e de desfacere tot mai vaste. Beneficiarul unei clientele bogate, provenit\u0103 din r\u00e2ndurile aristocra\u0163iei sau a burgheziei \u00eenst\u0103rite, Cl\u00e9ment Massier \u00ee\u015fi vede \u00een cur\u00e2nd r\u0103spl\u0103tite str\u0103daniile. El pune \u00een mi\u015fcare o adev\u0103rat\u0103 re\u0163ea comercial\u0103 european\u0103, ca urmare a public\u0103rii detaliate a pieselor \u00een cataloage elaborate sub directa sa coordonare. Veritabil antreprenor, inaugureaz\u0103 sucursale ale atelierului la Paris \u015fi \u00een c\u00e2teva ora\u015fe germane. La scurt timp de la lansarea firmei, \u00een anul 1887, vine \u015fi primul moment de recunoa\u015ftere: Casa regal\u0103 britanic\u0103 \u00eei confer\u0103 onorantul titlu de furnizor regal. Doi ani mai t\u00e2rziu, dup\u0103 experimente elaborate \u015fi c\u0103ut\u0103ri asidue, Cl\u00e9ment Massier este mai decis ca niciodat\u0103 s\u0103 cucereasc\u0103 lumea. \u00cen anul 1889, particip\u0103 pentru prima oar\u0103 la o expozi\u0163ie de anvergur\u0103 \u015fi c\u00e2\u015ftig\u0103 medalia de aur cu piese de inspira\u0163ie hispano-maur\u0103. Cheia succesului s\u0103u imediat rezida \u00een talentul comercial, dar mai ales \u00een setea de perfec\u0163iune.<\/p>\n

Cl\u00e9ment Massier se \u00eenconjoar\u0103 de o pleiad\u0103 de personalit\u0103\u0163i, provenite din domenii diverse, a c\u0103ror m\u0103iestrie contribuie la ridicarea nivelului artistic al faian\u0163elor Massier. Cei mai str\u0103luci\u0163i colaboratori sunt sculptorul sco\u0163ian Alexandre Munroe, ceramistul F\u00e9lix Optat Milet, format \u00een atelierul S\u00e8vres, sculptorul James Vilbert \u015fi pictorul Jules Scalbert. \u00centre anii 1887 \u015fi 1895, Lucien L\u00e9vy-Dhurmer ocup\u0103 func\u0163ia de director artistic al atelierului \u015fi amprenta sa asupra crea\u0163iei este major\u0103. Artist plurivalent, Lucien L\u00e9vy-Dhurmer (1865\u20131953), cea mai important\u0103 achizi\u0163ie a atelierului, \u015fi-a manifestat talentul \u00een diverse domenii, de la pictur\u0103 \u015fi gravur\u0103 la design interior \u015fi mobilier. Creatorul unei picturi simboliste rafinate, s-a remarcat \u00een tehnica pastelului, uz\u00e2nd de un cromatism rafinat, cu accente dramatice. \u00cen anul 1892, L\u00e9vy-Dhurmer semneaz\u0103 primele sale piese de ceramic\u0103 de la Golfe-Juan. Fascinat de lumea islamic\u0103, ale c\u0103rei vagi ecouri se resim\u0163eau \u00eenc\u0103 \u00een folclorul local, derivat din vechea poezie provensal\u0103, de sorginte arab\u0103, L\u00e9vy\u2013Dhurmer creeaz\u0103 o palet\u0103 larg\u0103 de forme \u015fi decoruri de inspira\u0163ie arab\u0103, dar \u015fi piese de imita\u0163ie persan\u0103 sasanid\u0103. Vasele sale de faian\u0163\u0103, acoperite de glazur\u0103 irizat\u0103 turcoaz, dup\u0103 modelul vaselor persane fac deliciul colec\u0163ionarilor de art\u0103 \u015fi a cump\u0103r\u0103torilor \u00eenst\u0103ri\u0163i. El se \u00eenscrie astfel \u00eentr-un amplu curent artistic \u00eendreptat c\u0103tre valorile artei orientale sau extrem-orientale. Dup\u0103 1896, anul \u00een care artistul consider\u0103 \u00eencheiat\u0103 ucenicia sa \u00een atelierul lui Cl\u00e9ment Massier, ideile sale sunt dezvoltate de c\u0103tre maestru, care le aplic\u0103 noilor forme fluide \u015fi dinamice ale stilului Art Nouveau.<\/p>\n

Dotat cu un deosebit sim\u0163 al culorii, el opteaz\u0103 pentru combina\u0163ii insolite de verde-violet-oranj sau albastru intens-ro\u015fu purpuriu, recurg\u00e2nd adeseori la monocromie sau la nuan\u0163are. Decorurile sale, inspirate din lumea vegetal\u0103 r\u0103m\u00e2n tributare picturii simboliste \u015fi Art Nouveau-ului. Stilizate, f\u0103r\u0103 a neglija detaliile esen\u0163iale, prinse \u00eentr-un v\u00e2rtej de linii \u015ferpuitoare, dinamice, care \u00eenv\u0103luie formele \u00eentr-o re\u0163ea organic\u0103 de tulpini, vrejuri \u015fi petale, vasele lui Cl\u00e9ment Massier respir\u0103 elegan\u0163\u0103 \u015fi vitalitate. Accentele decorative de mare fine\u0163e, cromatica pastelat\u0103 sau dramatic\u0103, cu mare putere de sugestie vizual\u0103, le transform\u0103 \u00een capodopere ale genului.<\/p>\n

Opera lui Cl\u00e9ment Massier se caracterizeaz\u0103 prin varietate stilistic\u0103 \u015fi decorativ\u0103. Artistul st\u0103p\u00e2ne\u015fte \u00een aceea\u015fi m\u0103sur\u0103 limbajul stilurilor, ca \u015fi repertoriul decorativ. De-a lungul timpului a creat piese grefate pe forme neoclasice, renascentiste \u015fi Art Nouveau, marcate uneori de eclectism, vasele Golfe-Juan domin\u0103 o pia\u0163\u0103 din ce \u00een ce mai competitiv\u0103. C\u0103tre mijlocul secolului al XX-lea, motivele stilistice tind treptat s\u0103 se simplifice, iar formele sunt reduse la esen\u0163\u0103. Dup\u0103 1905, crea\u0163ia lui Cl\u00e9ment Massier, ajuns\u0103 la maturitate artistic\u0103, se reorienteaz\u0103 c\u0103tre ceramica culinar\u0103 de lux, c\u0103tre articole utilitare (scrumiere, casete pentru ace de p\u0103r) \u015fi produse de arhitectur\u0103, precum \u0163igla artistic\u0103. \u00cen anul 1917, \u00een plin r\u0103zboi mondial, maestrul se stinge din via\u0163\u0103, l\u0103s\u00e2nd \u00een urma sa o afacere \u00eenfloritoare, care avea s\u0103 dureze p\u00e2n\u0103 \u00een anul 1990. Ast\u0103zi, \u00een fostul atelier devenit muzeu sunt g\u0103zduite expozi\u0163ii dedicate ceramicii Massier, dar \u015fi expozi\u0163ii de pictur\u0103, grafic\u0103 \u015fi desen.<\/p>\n

\u00cen colec\u0163ia de ceramic\u0103 a Muzeului Na\u0163ional Pele\u015f se p\u0103streaz\u0103 vasul Art Nouveau din faian\u0163\u0103, modelat la roat\u0103 \u015fi decorat cu motive stilizate, flori de fucsia, care-i acoper\u0103 uniform corpul, asemenea unui covor vegetal. Pozi\u0163ionarea neconven\u0163ional\u0103 a anselor m\u0103runte drepte de o parte \u015fi de alta a piesei, aproape de baz\u0103, \u00een grupaje asimetrice de una \u015fi patru anse \u015fi a altor trei, aproape de gur\u0103, confer\u0103 piesei caracter de modernitate. Desenul delicat, executat cu tu\u015fe fine de email, peste glazura metalizat\u0103 ro\u015fu c\u0103r\u0103miziu \u00een degrad\u00e9, las\u0103 la vedere modelul. Colorat \u00een nuan\u0163e de c\u0103r\u0103miziu cu accente violet \u015fi siclam, decorul floral valorific\u0103 forma elegant\u0103 a piesei, inspirat\u0103 de vechile vase de farmacie Albarello. Cu adev\u0103rat regal\u0103, ceramica Massier este imitat\u0103 pe scar\u0103 larg\u0103 de o serie de cerami\u015fti ai epocii, precum Zsolnay\u2013Pecs, din Ungaria \u015fi Samuel Weller, din SUA. Contemporan cu creatori celebri, precum Ernest Chaplet, inventatorul tehnicii impasto, \u00c9mile M\u00fcller, cel care a pus bazele gresiei care \u00eei poart\u0103 numele \u015fi \u00c9mile Decoeur, cu piese inspirate de celadoanele extrem-orientale, Cl\u00e9ment Massier a \u015ftiut s\u0103 g\u0103seasc\u0103 nota just\u0103 \u015fi original\u0103 \u00een marea simfonie a artei ceramice franceze din zorii veacului al XX-lea.<\/p>\n

Macrina Oproiu, muzeograf<\/small><\/h4>\n","protected":false},"excerpt":{"rendered":"

[stag_toggle style=”normal” title=”Detalii despre pies\u0103” state=”closed”]Vas Art Nouveau Autor: Cl\u00e9ment Massier, atelier Golfe-Juan, Fran\u0163a, 1900 Faian\u0163\u0103 modelat\u0103 la roat\u0103, barbotin\u0103, pictat\u0103 cu \u015fablonul, glazurat\u0103 I: 33 cm, Dt: 22 cm[\/stag_toggle] Cl\u00e9ment Massier, unul dintre cei mai str\u0103luci\u0163i reprezentan\u0163i ai ceramicii franceze de la \u00eenceputul secolului al XX-lea, vede lumina zilei \u00een anul 1844, la Vallauris, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[264,259],"tags":[158],"class_list":["post-8708","post","type-post","status-publish","format-standard","hentry","category-ceramica","category-patrimoniu","tag-clement-massiercolectia-de-ceramica"],"acf":[],"yoast_head":"\nVas Art Nouveau · Peles Test<\/title>\n<meta name=\"robots\" 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