{"id":8712,"date":"2024-10-08T11:59:11","date_gmt":"2024-10-08T11:59:11","guid":{"rendered":"https:\/\/pelestest.thepoint-agency.com\/vase-desire\/"},"modified":"2024-10-08T11:59:11","modified_gmt":"2024-10-08T11:59:11","slug":"vase-desire","status":"publish","type":"post","link":"https:\/\/thewebdevpoint.com\/ro\/patrimoniu\/vase-desire\/8712\/","title":{"rendered":"Vase D\u00e9sir\u00e9"},"content":{"rendered":"

[stag_toggle style=”normal” title=”Detalii despre pies\u0103” state=”closed”]VAS CHRISTIAN D\u00c9SIR\u00c9
\n1\/4 secol XX
\nSticl\u0103 colorat\u0103 \u00een mas\u0103; suflat\u0103 liber; suprapus\u0103; decor intercalat; modelat\u0103; gravat\u0103 cu acizi \u015fi la roat\u0103; pictat\u0103 manual cu email \u015fi cu aur coloidal[\/stag_toggle]<\/p>\n

Georges Walter descrie, \u00een 1702, \u00een cronica familiei, cum str\u0103mo\u015fii s\u0103i, care aveau o sticl\u0103rie la Soucht, au ob\u0163inut autoriza\u0163ia Ducelui de Lorena, Leopold I, de a-\u015fi muta manufactura \u00een locul numit \u201eMeiserbach\u201d, din cauza epuiz\u0103rii combustibilului lemnos. Fondatorii noii sticl\u0103rii se numeau Jean-Martin, Jean-Nicolas \u015fi Etienne Walter, S\u00e9bastien Burgun \u015fi Martin Stenger. Dup\u0103 \u00eencheierea unui contract de \u00eenchiriere pe 30 de ani cu Ducele de Lorena, ei \u015fi-au amplasat cuptoarele la Meisenthal, pe locul unei vechi sticl\u0103rii distruse.<\/p>\n

C\u0103tre 1792, dup\u0103 Revolu\u0163ia francez\u0103, sticl\u0103ria de la Meisenthal, p\u00e2n\u0103 atunci \u00eenchiriat\u0103, este cump\u0103rat\u0103 de mo\u015ftenitorii fondatorilor. \u00cen 1800, ea avea 18 asocia\u0163i \u015fi 56 de lucr\u0103tori, care produceau pahare, sticle de ceas \u015fi geamuri, iar \u00een 1823 \u00ee\u015fi schimb\u0103 denumirea \u00een \u201eSticl\u0103riile Meisenthal\u201d.<\/p>\n

\u00cencep\u00e2nd cu 1824, manufactura de la Meisenthal se va numi \u201eBurgun, Schwerer et Cie\u201d, iar \u00een 1834 va prezenta pentru prima dat\u0103, la expozi\u0163ia regional\u0103 de la Metz pahare de cristal, ce s-au remarcat \u201eprin perfec\u0163iunea formei \u015fi precizia t\u0103ieturilor transversale\u201d. \u00cen 1855, sticl\u0103ria de la Meisenthal este elogiat\u0103 la Expozi\u0163ia Universal\u0103 de la Paris, pentru vasele sale de mari dimensiuni \u015fi pentru opalinele de \u00eenalt\u0103 calitate \u015fi puritate.<\/p>\n

\n

 <\/p>\n

\n<\/div>\n

\u00cen anii 1860, Nicolas Mathieu Burgun, aflat la conducrea manufacturii, \u00eencheie, pentru prima dat\u0103, o serie de afaceri cu produc\u0103torul de sticl\u0103, ceramic\u0103 \u015fi mobil\u0103 Charles Reinemer Gall\u00e9, din Nancy. 1867 este anul \u00een care fiul s\u0103u, Emile Gall\u00e9, \u00ee\u015fi va \u00eencepe ucenicia la Meisenthal. Colaborarea dintre cele dou\u0103 manufacturi va fi din ce \u00een ce mai str\u00e2ns\u0103, p\u00e2n\u0103 la \u00eenceperea r\u0103zboiului franco \u2013 german, \u00een 1870 \u2013 1871, c\u00e2nd \u00eenceteaz\u0103 temporar.<\/p>\n

CHRISTIAN D\u00c9SIR\u00c9 (1846 \u2013 1907) a condus atelierul de decorare al firmei \u201eBurgun, Schwerer et Cie\u201d din Meisenthal, devenit\u0103 dup\u0103 1885 cea mai important\u0103 sticl\u0103rie din Lorena german\u0103. Emile Gall\u00e9, legat \u00eenc\u0103 din tinere\u0163e de Meisenthal \u015fi prieten al lui Antoine Burgun \u015fi al lui Christian D\u00e9sir\u00e9, \u00eencheie cu ace\u015ftia, \u00een 1886, un \u201econtract secret\u201d, prin care se stipulau termenii unei colabor\u0103ri \u00eentre atelierele sale din Nancy \u015fi cele de la Meisenthal. Ajutorul lui Emile Gall\u00e9 era esen\u0163ial pentru p\u0103strarea pre\u0163io\u015filor decoratori loreni, \u00eentruc\u00e2t acesta din urm\u0103 le furniza de lucru \u00een parmanen\u0163\u0103. Calitatea artistic\u0103 pretins\u0103 de Gall\u00e9 influen\u0163eaz\u0103 produc\u0163ia atelierelor Meisenthal, fapt confirmat de piesele excelente \u015fi originale realizate sub marca \u201eVerrerie d\u2019art de Lorraine\u201d \u00een ace\u015fti ani. Christian D\u00e9sir\u00e9, care avea un statut independent \u00een cadrul sticl\u0103riei, accede, odat\u0103 cu semnarea contractului cu Emile Gall\u00e9, la pozi\u0163ia de partener al atelierelor lorene.<\/p>\n

\u00cen 1889, operele lui Christian D\u00e9sir\u00e9 str\u0103lucesc al\u0103turi de cele ale lui Gall\u00e9 la Expozi\u0163ia Universal\u0103 de la Paris. Acest succes al ambilor creatori a fost benefic pentru colaborarea lor, prin num\u0103rul mare de comenzi ce l-au cople\u015fit pe Gall\u00e9 \u015fi din care o parte au fost executate de atelierele conduse de Christian D\u00e9sir\u00e9.<\/p>\n

Cinci ani mai t\u00e2rziu, contractul de colaborare este anulat, datorit\u0103 unei c\u0103deri a pie\u0163ei \u015fi a restr\u00e2ngerii num\u0103rului de comenzi. Ca urmare, dup\u0103 1894, la Meisenthal s-au produs anumite modele concepute pentru Nancy, decorate cu motive aproape identice, dar semnate \u201eVall\u00e9rysthal\u201d. Probabil, aceasta a fost solu\u0163ia propus\u0103 de Gall\u00e9 \u015fi aplicat\u0103 cu \u015ftirea sa, pentru ca atelierele conduse de Christian D\u00e9sir\u00e9 s\u0103 g\u0103seasc\u0103 un debu\u015feu pe o pia\u0163\u0103 tot mai restr\u00e2ns\u0103. \u00cen aceast\u0103 perioad\u0103, piesele Meisenthal erau comercializate sub denumirea de \u201eVerrerie d\u2019art de Lorraine Burgun, Schwerer et Cie\u201d, \u00eenscris \u00een medalionul cu ciulin, caracteristic Lorenei, gravat cu stiletul, ceea ce permite datarea lor \u00eentre 1895 \u015fi 1903.<\/p>\n

\n

\"VAS<\/p>\n

VAS
\nCHRISTIAN D\u00c9SIR\u00c9
\n1\/4 secol XX
\nSticl\u0103 colorat\u0103 \u00een mas\u0103; suflat\u0103 liber; suprapus\u0103; decor intercalat; past\u0103 de sticl\u0103 presat\u0103; pictare manual\u0103 cu email \u015fi cu aur coloidal<\/p>\n<\/div>\n

\u00cen 1901, \u201eBurgun, Schwerer et Cie\u201d este transformat\u0103 \u00een societate anonim\u0103. Antoine Burgun, considerat a fi prea francofil \u015fi prea legat de prietenii din Nancy, a fost \u00eenlocuit de Emile Wanner, de\u0163in\u0103tor a \u015fase p\u0103r\u0163i de capital, ca \u015fi Christian D\u00e9sir\u00e9. Noua conducere a limitat produc\u0163ia artistic\u0103, ceea ce l-a determinat pe Christian D\u00e9sir\u00e9 s\u0103-\u015fi mute atelierul \u00een propria cas\u0103. Dup\u0103 1903, fiul s\u0103u, Armand i s-a asociat, iar titulatura atelierului a devenit \u201eChristian D\u00e9sir\u00e9 \u015fi fiul\u201d. Astfel vor fi \u00eenregistrate piesele trimise la expozi\u0163ii.<\/p>\n

Stilul rafinat, de inspira\u0163ie simbolist\u0103, al lui Christian D\u00e9sir\u00e9 se recunoa\u015fte cu u\u015furin\u0163\u0103. Procedeul s\u0103u original de realizare a decorurilor emailate, prinse \u00eentre un fond de o culoare luminoas\u0103 \u015fi un strat exterior, incolor, pe care apoi roata sap\u0103 degradeurile \u015fi d\u0103 relief, anim\u00e2nd motivul dintre straturi, face din operele lui Christian D\u00e9sir\u00e9 adev\u0103rate minuni estetice ale stilului Art Nouveau.<\/p>\n

Arta lui Christian D\u00e9sir\u00e9 este inseparabil\u0103 de cea a lui Emile Gall\u00e9. Christian D\u00e9sir\u00e9 va figura printre primii arti\u015fti coopta\u0163i de Emile Gall\u00e9 la fondarea \u015ecolii de la Nancy, \u00een 1901, distinc\u0163ie ce dovede\u015fte \u00eenalta considera\u0163ie acordat\u0103 personalit\u0103\u0163ii \u015fi artei sale de c\u0103tre maestrul Art Nouveau-ului \u015fi r\u0103mas\u0103 neatins\u0103 dup\u0103 \u00eencheierea unei colabor\u0103ri de peste treizeci de ani. Artistul r\u0103mas \u00een umbra cople\u015fitoarei personalit\u0103\u0163i a lui Emile Gall\u00e9 s-a stins aproape necunoscut la Meisenthal, la mai pu\u0163in de trei ani dup\u0103 cel care i-a fost prieten din tinere\u0163e p\u00e2n\u0103 \u00een ultimii ani ai vie\u0163ii.<\/p>\n

Muzeul Na\u0163ional Pele\u015f de\u0163ine trei piese Christian D\u00e9sir\u00e9; dou\u0103 dintre ele par a apar\u0163ine aceleia\u015fi familii: sunt vase mici, piriforme, cu buza ondulat\u0103, de culoare verde, decorate cu crizanteme galbene pe fond m\u0103tuit. La o analiz\u0103 mai atent\u0103 se observ\u0103 c\u0103 la unul dintre vase crizantemele sunt pictate pe stratul de baz\u0103 m\u0103tuit prin acidare \u015fi acoperite cu un strat de suprafa\u0163\u0103, incolor. Tijele \u015fi centrele florilor sunt pictate pe stratul exterior, iar des\u0103v\u00e2r\u015firea decorului s-a f\u0103cut prin gravare mecanic\u0103 \u015fi sublinieri cu aur.<\/p>\n

CORNELIA DUMITRESCU, muzeograf<\/small><\/h4>\n","protected":false},"excerpt":{"rendered":"

[stag_toggle style=”normal” title=”Detalii despre pies\u0103” state=”closed”]VAS CHRISTIAN D\u00c9SIR\u00c9 1\/4 secol XX Sticl\u0103 colorat\u0103 \u00een mas\u0103; suflat\u0103 liber; suprapus\u0103; decor intercalat; modelat\u0103; gravat\u0103 cu acizi \u015fi la roat\u0103; pictat\u0103 manual cu email \u015fi cu aur coloidal[\/stag_toggle] Georges Walter descrie, \u00een 1702, \u00een cronica familiei, cum str\u0103mo\u015fii s\u0103i, care aveau o sticl\u0103rie la Soucht, au ob\u0163inut autoriza\u0163ia […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[259,265],"tags":[162],"class_list":["post-8712","post","type-post","status-publish","format-standard","hentry","category-patrimoniu","category-sticlarie","tag-christian-desirecolectia-de-sticlarie"],"acf":[],"yoast_head":"\nVase D\u00e9sir\u00e9 · Peles 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